Professor Yoichi Ando, acoustic architectural designer of the Kirishima International Concert Hall in Japan, presents a comprehensive rational-scientific approach to designing performance spaces. His theory is based on systematic psychoacoustical observations of spatial hearing and listener preferences, whose neuronal correlates are observed in the neurophysiology of the human brain. A correlation-based model of neuronal signal processing in the central auditory system is proposed in which temporal sensations (pitch, timbre, loudness, duration) are represented by an internal autocorrelation representation, and spatial sensations (sound location, size, diffuseness related to envelopment) are represented by an internal interaural crosscorrelation function. Together these two internal central auditory representations account for the basic auditory qualities that are relevant for listening to music and speech in indoor performance spaces. Observed psychological and neurophysiological commonalities between auditory and visual sensations and preference patterns are presented and discussed. This book thus spans the disciplines of physics, acoustics, psychology, neurophysiology, and music production, thereby blending science, engineering, and art.
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From the reviews:
"The book has two parts with sixteen chapters. ... The book is well structured and chapters are held short in length just to point out the most relevant information needed. ... At the end of the book, a list of abbreviations is presented, which is very useful for the reader, but most advantageous, is that for all abbreviations, a chapter in the book is referred. ... It provides equations and summaries of concepts for experts working in the field of concern." (Reinhard O. Neubauer, International Journal of Acoustics and Vibration, Vol. 16 (3), 2011)
"This is well-written and illustrated, unusual, and important book. ... In addition to a good index and definitions of terms, excellent references are given. ... This book presents a good start and much important progress." (David Lloyd (ben Yaacov Yehuda) Klepper, Noise Control Engineering Journal, Vol. 60 (2), March-April, 2012)
"The book has two parts with sixteen chapters. ... The book is well structured and chapters are held short in length just to point out the most relevant information needed. ... At the end of the book, a list of abbreviations is presented, which is very useful for the reader, but most advantageous, is that for all abbreviations, a chapter in the book is referred. ... It provides equations and summaries of concepts for experts working in the field of concern." (Reinhard O. Neubauer, International Journal of Acoustics and Vibration, Vol. 16 (3), 2011)
"This is well-written and illustrated, unusual, and important book. ... In addition to a good index and definitions of terms, excellent references are given. ... This book presents a good start and much important progress." (David Lloyd (ben Yaacov Yehuda) Klepper, Noise Control Engineering Journal, Vol. 60 (2), March-April, 2012)