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Beginning with Marcel Ophus's documentary The Sorrow and the Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world. Auschwitz and After analyses for the first time how the memory of Auschwitz and the…mehr
Beginning with Marcel Ophus's documentary The Sorrow and the Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world. Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "e;jewish Question"e; and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.
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Autorenporträt
Lawrence D. Kritzman is Edward Tuck Professor of French and Chair of the Program in Comparative Literature at Dartmouth College. He has edited Politics, Philosophy,Culture, a selection of interviews and essays by Michel Foucault.
Inhaltsangabe
Introduction I: Histories, Memories, and Politics 1: The Voice of Vichy 2: The Holocaust's Challenge to History 3: Cendres juives 4: War Memories 5: Anti-Semitism in France, 1978-1992 II: Identities and Cultural Practices 6: From the Novelistic to Memory 7: Critical Reflections 8: Jewish Identity in Raymond Aron, Emmanuel Berl, and Claude Lévi-Strauss III: Philosophy and Jews 9: Blanchot, Violence, and the Disaster 10: Discussions, or Phrasing "after Auschwitz" 11: Difficult Freedom IV: Writing After Auschwitz: Literary Representations 12: Beyond Psychoanalysis 13: On the Holocaust Comedies of "Emile Ajar" 14: Georges Perec and the Broken Book 15: Exiled from the Shoah 16: The Writing of Catastrophe V: Cinematic Images 17: La vie en rose 18: The Languages of Pain in Shoah 19: Duras's Aurélia Steiner, or Beyond Essence
Introduction I: Histories, Memories, and Politics 1: The Voice of Vichy 2: The Holocaust's Challenge to History 3: Cendres juives 4: War Memories 5: Anti-Semitism in France, 1978-1992 II: Identities and Cultural Practices 6: From the Novelistic to Memory 7: Critical Reflections 8: Jewish Identity in Raymond Aron, Emmanuel Berl, and Claude Lévi-Strauss III: Philosophy and Jews 9: Blanchot, Violence, and the Disaster 10: Discussions, or Phrasing "after Auschwitz" 11: Difficult Freedom IV: Writing After Auschwitz: Literary Representations 12: Beyond Psychoanalysis 13: On the Holocaust Comedies of "Emile Ajar" 14: Georges Perec and the Broken Book 15: Exiled from the Shoah 16: The Writing of Catastrophe V: Cinematic Images 17: La vie en rose 18: The Languages of Pain in Shoah 19: Duras's Aurélia Steiner, or Beyond Essence
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