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  • Format: ePub

'Brilliant poems of complex, haunting power... Averno may be Glück's masterpiece' The New York Times Book Review

An acclaimed collection from the Nobel prize-winning poet

This startlingly original reworking of the Persephone myth takes us to the icy shores of Averno, the crater lake regarded by the ancient Romans as the entrance to the underworld. Here, the consolations of rebirth and renewal are eclipsed by the immediacy of loss - by a mother's possessive grief, an abducted girl's equivocal memories, a farmer's lament for a lost harvest. This chorus offers neither comfort…mehr

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Produktbeschreibung
'Brilliant poems of complex, haunting power... Averno may be Glück's masterpiece' The New York Times Book Review

An acclaimed collection from the Nobel prize-winning poet

This startlingly original reworking of the Persephone myth takes us to the icy shores of Averno, the crater lake regarded by the ancient Romans as the entrance to the underworld. Here, the consolations of rebirth and renewal are eclipsed by the immediacy of loss - by a mother's possessive grief, an abducted girl's equivocal memories, a farmer's lament for a lost harvest. This chorus offers neither comfort nor solace but deepened understanding, its sorrow textured by the poet's luminous wit. Together, the poems of Averno swell to a staggeringly powerful lamentation, through which the reader glimpses the ecstasy of the inevitable, only to find it resisted by the insistent, impersonal presence of the Earth.


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Autorenporträt
Louise Glück is the author of twelve books of poems and two essay collections. Her many awards include the Nobel Prize in Literature, the National Humanities Medal, the Pulitzer Prize, the National Book Award, the National Book Critics Circle Award, the Bollingen Prize, and the Wallace Stevens Award from the Academy of American Poets. She teaches at Yale University and Stanford University and lives in Cambridge, Massachusetts.
Rezensionen
Brilliant [poems of] complex, haunting power... Averno may be Glück's masterpiece. Certainly it demonstrates that she is writing at the peak of her powers. Nicholas Christopher New York Times Book Review