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J. S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses-harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis-and specialized analyses for some of the individual movements. Allen…mehr
J. S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses-harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis-and specialized analyses for some of the individual movements. Allen Winold presents a comprehensive study intended not only for cellists, but also for other performers, music theorists, music educators, and informed general readers.
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Autorenporträt
Allen Winold, Professor of Music Emeritus at Indiana University's Jacobs School of Music, has written numerous books on music theory and history. He has been an active composer, arranger, violinist, and conductor, and has given master classes and seminars throughout the world.
Inhaltsangabe
Volume I Contents Foreword Preface Chapter 1: Historical Background Chapter 2: The Preludes Chapter 3: The Allemandes Chapter 4: The Courantes Chapter 5: The Sarabandes Chapter 6: The Optional Dances Chapter 7: The Gigues Chapter 8: Summary and Conclusions Appendix: Analytical Designations Notes Bibliography Index Appendix: Analytical Designations Volume II Contents Table of Contents for Volume II: Music Examples Preface Chapter 1: Music Examples for the Historical Background Chapter 2: Music Examples for the Preludes Chapter 3: Music Examples for the Allemandes Chapter 4: Music Examples for the Courantes Chapter 5: Music Examples for the Sarabandes Chapter 6: Music Examples for the Optional Dances Chapter 7: Music Examples for the Gigues
Volume I Contents Foreword Preface Chapter 1: Historical Background Chapter 2: The Preludes Chapter 3: The Allemandes Chapter 4: The Courantes Chapter 5: The Sarabandes Chapter 6: The Optional Dances Chapter 7: The Gigues Chapter 8: Summary and Conclusions Appendix: Analytical Designations Notes Bibliography Index Appendix: Analytical Designations Volume II Contents Table of Contents for Volume II: Music Examples Preface Chapter 1: Music Examples for the Historical Background Chapter 2: Music Examples for the Preludes Chapter 3: Music Examples for the Allemandes Chapter 4: Music Examples for the Courantes Chapter 5: Music Examples for the Sarabandes Chapter 6: Music Examples for the Optional Dances Chapter 7: Music Examples for the Gigues
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