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  • Format: PDF

The first reassessment of Badiou's work since the English publication of his Logic of Worlds in 2009. This collection of 13 essays engages directly with the work of Alain Badiou. It focuses on the philosophical content of his work and how he connects with his contemporaries and his philosophical heritage. You'll find in-depth critical readings of Badiou's body of work viewed through the lens of a number of important philosophical thinkers and themes, ranging from Cantor and category/topos theory, Lacan and Lautman, through to Sartre and the subject. This is an important collection for anyone…mehr

Produktbeschreibung
The first reassessment of Badiou's work since the English publication of his Logic of Worlds in 2009. This collection of 13 essays engages directly with the work of Alain Badiou. It focuses on the philosophical content of his work and how he connects with his contemporaries and his philosophical heritage. You'll find in-depth critical readings of Badiou's body of work viewed through the lens of a number of important philosophical thinkers and themes, ranging from Cantor and category/topos theory, Lacan and Lautman, through to Sartre and the subject. This is an important collection for anyone interested in the work of Badiou and contemporary Continental philosophy.

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Autorenporträt
Sean Bowden is an Alfred Deakin Postdoctoral Research Fellow at Deakin University, Australia. He is the author of The Priority of Events: Deleuze's Logic of Sense (Edinburgh University Press, 2011), and has published a number of articles and book chapters on Badiou, Deleuze and Simondon. Simon Duffy is a Research Associate in the Department of Philosophy at the University of Sydney, Australia. He is the author of The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze (Ashgate, 2006), and is the editor of Virtual Mathematics: The Logic of Difference (Clinamen, 2006). He recently translated the French collection of the work of Albert Lautman, Mathematics, Ideas and the physical real (Continuum, 2011).