The present publication focuses on the exquisitely produced volume presented to de Hesselin (who also performed in the work), which passed into the hands of the Rothschild family at Waddesdon Manor, and is now in the ownership of the National Trust. The contents of the Waddesdon source are reproduced in facsimile, together with the printed vers pour les personages, lists of performers, cues for special effects, and the running order of the entrées. They are accompanied by essays by Michael Burden, Catherine Massip, David Parrott, and Jennifer Thorp which interpret and discuss cultural patronage at theCourt of Louis XIV, the musical context, dances and dancers, and the costumes and scenography of this unique and extraordinary ballet, while Lionel Sawkins provides a modern edition of the surviving music.
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