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  • Format: ePub

The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem "After Bach," which derives from the cello suites the lesson that sadness "can be in part /to accept the absence of One to say it to." And it is Bronk whose work is called to mind for me by Yahia Lababidi's Barely There, in which "in embracing, we let go."' -- H. L. Hix, Author of First Fire, Then Birds

Produktbeschreibung
The flashy poets and the poets with a schtick get the big audience, but it is the quiet poets whose individual poems more often linger with me. I'd trade all of Ginsberg, say, for William Bronk's six-line poem "After Bach," which derives from the cello suites the lesson that sadness "can be in part /to accept the absence of One to say it to." And it is Bronk whose work is called to mind for me by Yahia Lababidi's Barely There, in which "in embracing, we let go."' -- H. L. Hix, Author of First Fire, Then Birds

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Autorenporträt
Yahia Lababidi is an Egyptian-American thinker and Pushcart-nominated poet, whose work has been translated into nearly a dozen languages. To date, Lababidi is the author of 4 well-received books, in 4 different genres: Signposts to Elsewhere (aphorisms), Trial by Ink: From Nietzsche to Bellydancing (essays), Fever Dreams (poems), and most recently, The Artist as Mystic (conversations).