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Demetrio Rota, a garbage collector from Buenos Aires, sleeps in the afternoons and assembles puzzles at night before leaving for work. His daily life is mediocre and he keeps his balance through sheer exhaustion. However, through the puzzles, Demetrio inspects and sorts through his own memories. At the end of the journey through his history, the present seems to devour him, until he's left with only the emptiness of himself and his daily misery. A parable of memory and deterioration, Andrés Neuman's Bariloche juxtaposes the astonished memories of youth with a skeptical conscience; the…mehr
Demetrio Rota, a garbage collector from Buenos Aires, sleeps in the afternoons and assembles puzzles at night before leaving for work. His daily life is mediocre and he keeps his balance through sheer exhaustion. However, through the puzzles, Demetrio inspects and sorts through his own memories. At the end of the journey through his history, the present seems to devour him, until he's left with only the emptiness of himself and his daily misery.
A parable of memory and deterioration, Andrés Neuman's Bariloche juxtaposes the astonished memories of youth with a skeptical conscience; the impossible idealization of nature or first love with the moral and physical suffocation of the big city; being uprooted with returning to one's origins, with a language fascinated by both lyricism and rottenness.
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Autorenporträt
Andrés Neuman (1977) was born in Buenos Aires, Argentina, where he spent his childhood. The son of Argentine émigré musicians, he lives in Granada, Spain. He has a degree in Spanish Philology from the University of Granada, where he taught Latin American literature. He was selected as one of Granta's Best of Young Spanish-Language Novelists and was included on the Bogotá-39 list. He is the author of numerous novels, short stories, poems, aphorisms, and travel books. His first novel translated into English, Traveler of the Century (FSG), won the Alfaguara Prize and the National Critics Prize, and was selected among the books of the year by El País, El Mundo, The Guardian, The Independent, and Financial Times; it was also shortlisted for the International IMPAC Dublin Literary Award and received a Special Commendation from the jury of the Independent Foreign Fiction Prize. His second novel translated into English, Talking to Ourselves (FSG), was longlisted for the International IMPAC Dublin Literary Award and for the Best Translated Book Award, shortlisted for the Oxford-Weidenfeld Translation Prize, and selected as the first among the twenty top books of the year by Typographical Era. His last book in English is Fracture (FSG). His works have been translated into twenty-two languages.
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