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Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the tricky balancing act of art and business, offering guidelines and basic principles rather than instructions. Divided into the three key stages of the film-making process - pre-production, production and postproduction, the book provides students with a framework to begin directing their own productions. The chapters are interspersed with case studies investigating…mehr
Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the tricky balancing act of art and business, offering guidelines and basic principles rather than instructions.
Divided into the three key stages of the film-making process - pre-production, production and postproduction, the book provides students with a framework to begin directing their own productions. The chapters are interspersed with case studies investigating the working practices of leading professionals such as Robert Rodriguez, and Mike Leigh.
Robert Edgar is Professor of Writing and Popular Culture in the York Centre for Writing based in the School of Humanities at York St John University, UK. He has published on Screenwriting (2009), Directing Fiction (2009), The Language of Film (Bloomsbury, 2010 and 2015), The Music Documentary (2013), The Arena Concert (Bloomsbury, 2015), Music, Memory and Memoir (Bloomsbury, 2019), Adaptation for Scriptwriters (Bloomsbury, 2019), and Venue Stories (2023). He is co-editing the forthcoming Bloomsbury publication, Horrifying Children: Hauntology and the Legacy of Children's Fiction.
Inhaltsangabe
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business? The production team Theories and their application Directing: The vision Avoiding Alan Smithee Exercises. Pre-production: The pre-production team Working with script Case study: Peter Hunt Image composition Storyboards Locations Casting Cast study: Mike Leigh Rehearsing actors Mark Herman interview Exercises. Production: The production team Case study: Robert Rodriguez The director as artist Working with sound and image Setting the shot Case study: Martin Scorsese Production equipment Production effects Working on location The first assistant director Working with actors Non-professional actors Reviewing your material Mark Herman interview Exercise. Post-production: The post-production team Editing systems The grammar of the edit Case study: Sergei Eisenstein Sound and music The finishing touches Exhibition and distribution Case study: Miles Watts Consent, clearance and copyright Mark Herman interview Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business? The production team Theories and their application Directing: The vision Avoiding Alan Smithee Exercises. Pre-production: The pre-production team Working with script Case study: Peter Hunt Image composition Storyboards Locations Casting Cast study: Mike Leigh Rehearsing actors Mark Herman interview Exercises. Production: The production team Case study: Robert Rodriguez The director as artist Working with sound and image Setting the shot Case study: Martin Scorsese Production equipment Production effects Working on location The first assistant director Working with actors Non-professional actors Reviewing your material Mark Herman interview Exercise. Post-production: The post-production team Editing systems The grammar of the edit Case study: Sergei Eisenstein Sound and music The finishing touches Exhibition and distribution Case study: Miles Watts Consent, clearance and copyright Mark Herman interview Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
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