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9,95 €
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  • Format: ePub

This is the third and final book in a series that will teach you everything you need to know in order to be able to successfully read music on the bass guitar. Building on the topics covered in the first two books, this volume covers complex semiquaver rhythms, reading on a 5-string bass, reading treble clef, understanding odd time signatures and cut common time, and more advanced key signatures. The final part of the book contains ten 'real world' play-along tracks recorded with a full band. All audio files are available to download from the FREE Stuff! section of the publisher's website.

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  • Größe: 5.88MB
Produktbeschreibung
This is the third and final book in a series that will teach you everything you need to know in order to be able to successfully read music on the bass guitar. Building on the topics covered in the first two books, this volume covers complex semiquaver rhythms, reading on a 5-string bass, reading treble clef, understanding odd time signatures and cut common time, and more advanced key signatures. The final part of the book contains ten 'real world' play-along tracks recorded with a full band. All audio files are available to download from the FREE Stuff! section of the publisher's website.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Stuart Clayton has been a professional musician and writer for over ten years. He has worked as a staff writer for Bass Guitar Magazine since its first issue, written seven bass instruction books for Sanctuary Publishing, including 100 Tips For Bass Guitar You Should Have Been Told, Crash Course: Bass, Bass Xtreme, Basic Bass Workout and Giants Of Bass and toured the world with Carl Palmer. He now runs his own company, Bassline Publishing, which publishes transcription books for legendary bassists such as Mark King, Stuart Hamm, Bernard Edwards and John Entwistle, as well as an acclaimed range of tuition books such as Ultimate Slap Bass and Solo Arrangements for Electric Bass. He is also Head of Bass at the British Institute of Modern Music (Bristol) and is an artist endorsee for Zon basses and Aguilar amplification.