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  • Format: ePub

This book is the first in a series of three that will teach you everything you need to know in order to be able to successfully read music on the bass guitar. Starting with the absolute basics, this book introduces all of the fundamental elements of music notation one at a time, reinforcing all concepts with written and audio examples. Rhythms and pitches are introduced gradually, with all chapters containing ten exercises focusing on each new element. More complex aspects of notation such as time signatures, key signatures and navigation are also introduced to a basic level. The final part of…mehr

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Produktbeschreibung
This book is the first in a series of three that will teach you everything you need to know in order to be able to successfully read music on the bass guitar. Starting with the absolute basics, this book introduces all of the fundamental elements of music notation one at a time, reinforcing all concepts with written and audio examples. Rhythms and pitches are introduced gradually, with all chapters containing ten exercises focusing on each new element. More complex aspects of notation such as time signatures, key signatures and navigation are also introduced to a basic level. The final part of the book contains ten 'real world' play-along tracks recorded with a full band. Audio files for all of the exercises are available to download from the FREE Stuff! section of the publisher's website.


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Autorenporträt
Stuart Clayton has been a professional musician and writer for over ten years. He has worked as a staff writer for Bass Guitar Magazine since its first issue, written seven bass instruction books for Sanctuary Publishing, including 100 Tips For Bass Guitar You Should Have Been Told, Crash Course: Bass, Bass Xtreme, Basic Bass Workout and Giants Of Bass and toured the world with Carl Palmer. He now runs his own company, Bassline Publishing, which publishes transcription books for legendary bassists such as Mark King, Stuart Hamm, Bernard Edwards and John Entwistle, as well as an acclaimed range of tuition books such as Ultimate Slap Bass and Solo Arrangements for Electric Bass. He is also Head of Bass at the British Institute of Modern Music (Bristol) and is an artist endorsee for Zon basses and Aguilar amplification.