42,95 €
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
21 °P sammeln
42,95 €
42,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
21 °P sammeln
Als Download kaufen
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
21 °P sammeln
Jetzt verschenken
42,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
21 °P sammeln
  • Format: ePub

Discussion concerning the 'musicality' of Samuel Beckett's writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett's engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett's work. The essays included in this book explore a number of ways in which Beckett's writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail.

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 2.74MB
Produktbeschreibung
Discussion concerning the 'musicality' of Samuel Beckett's writing now constitutes a familiar critical trope in Beckett Studies, one that continues to be informed by the still-emerging evidence of Beckett's engagement with music throughout his personal and literary life, and by the ongoing interest of musicians in Beckett's work. The essays included in this book explore a number of ways in which Beckett's writings engage with and are engaged by musicality, discussing familiar and less familiar works by Beckett in detail.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Sara Jane Bailes is a theatre-maker, writer and Reader in Theatre and Performance Studies at the University of Sussex, UK. She publishes on experimental theatre and performance and is interested in ideology and compositional practices. Her monograph, Performance Theatre and the Poetics of Failure, was published in 2010. Nicholas Till is Professor of Opera and Music Theatre at the University of Sussex, UK. He works as a historian, theorist and maker of opera and music theatre. His publications include Mozart and the Enlightenment (1992) and The Cambridge Companion to Opera Studies (2012), and many studies of contemporary experimental practices.