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The first performance of Look Back in Anger in 1956 ushered in a new period of British theatre, and its success established the previously unknown John Osborne as a new playwright of the first rank. Contrary to popular perception, Look Back was not Osborne's first play to be performed, and two of his early plays had already enjoyed professional productions. Copies of the scripts, thought to have been lost, were rediscovered in the British Library in 2008, and are presented for the first time here.
The Devil Inside Him (1950) was the 21 year-old Osborne's earliest attempt at a full-length
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Produktbeschreibung
The first performance of Look Back in Anger in 1956 ushered in a new period of British theatre, and its success established the previously unknown John Osborne as a new playwright of the first rank. Contrary to popular perception, Look Back was not Osborne's first play to be performed, and two of his early plays had already enjoyed professional productions. Copies of the scripts, thought to have been lost, were rediscovered in the British Library in 2008, and are presented for the first time here.

The Devil Inside Him (1950) was the 21 year-old Osborne's earliest attempt at a full-length play,and concerns a young Welshman, Huw, at odds with the hypocrisy and imaginative poverty of his community. It was re-written with help from Osborne's then-lover, Stella Linden.

Personal Enemy (1955) was written with Anthony Creighton with whom Osborne later collaborated with on Epitaph for George Dillon. Set in small-town America during summer of 1953 - at the height of the anti-communist witch-hunts - the play tells the story of a family torn apart by a country's political, and sexual, paranoia.
Autorenporträt
John Osborne was born in London in 1929. He worked as a journalist for a number of trade magazines before becoming an Assistant Stage Manager and actor with several repertory companies. Look Back in Anger (1956) has come to stand as a key text for modern British Drama, and prompted other successes with The Entertainer and Epitaph for George Dillon. He was the first of many writers to be 'discovered' by the Royal Court Theatre, and Look Back in Anger was the first of the Royal Court's plays to be internationally recognised. Osborne adapted Look Back in Anger and The Entertainer for film. He also wrote an Oscar winning screenplay adaptation of Henry Fielding's novel Tom Jones.