Beggars Banquet and the Rolling Stones' Rock and Roll Revolution (eBook, PDF)
'They Call My Name Disturbance'
Redaktion: Reising, Russell
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Beggars Banquet and the Rolling Stones' Rock and Roll Revolution (eBook, PDF)
'They Call My Name Disturbance'
Redaktion: Reising, Russell
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The Rolling Stones' Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the 'mature' sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades.
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The Rolling Stones' Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the 'mature' sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 6. Dezember 2019
- Englisch
- ISBN-13: 9781351396424
- Artikelnr.: 69034936
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 6. Dezember 2019
- Englisch
- ISBN-13: 9781351396424
- Artikelnr.: 69034936
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Russell Reising is Professor of American Culture and Asian Studies, University of Toledo, Ohio
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
Part I: What can poor boys do, except to sing (and play and produce) in a
rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of
Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive
elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of
Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one
asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of
Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world
without morality
Norma Coates: How can a smart chick like me listen to the Stones and not
throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues
self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord
changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil
in the Rolling Stones' live performance career
Part I: What can poor boys do, except to sing (and play and produce) in a
rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of
Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive
elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of
Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one
asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of
Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world
without morality
Norma Coates: How can a smart chick like me listen to the Stones and not
throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues
self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord
changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil
in the Rolling Stones' live performance career
Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
Part I: What can poor boys do, except to sing (and play and produce) in a
rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of
Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive
elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of
Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one
asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of
Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world
without morality
Norma Coates: How can a smart chick like me listen to the Stones and not
throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues
self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord
changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil
in the Rolling Stones' live performance career
Part I: What can poor boys do, except to sing (and play and produce) in a
rock 'n' roll band?
John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
Steven Baur: 'And the drummer, he's so shattered': the percussive core of
Beggars Banquet
Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive
elements in the bass lines of Beggars Banquet
Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of
Brian Jones
Stephen D. Christman: "Five strings, three notes, two fingers, one
asshole": Keith Richards's use of open G tuning
James McGrath: Doctor, I'm damaged: medical and cultural mythologies of
Nicky Hopkins and the Rolling Stones
Part II: "What's puzzling you is the nature of my game": some ideas
Ruth Tallman: Condemned to be free: the frightening uncertainty of a world
without morality
Norma Coates: How can a smart chick like me listen to the Stones and not
throw up? A speculative exploration of Beggars Banquet and misogyny
Brian Goodman, Woo Woooo: Beggars Banquet's new aesthetic
Part III: Some songs
Kimberly Mack: Please allow me to introduce myself': autobiographical blues
self-fashioning in 'Sympathy for the Devil'
Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord
changes of 'Street Fighting Man'
Part IV: The Rolling Stones, live if you want it
Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
Kimi Karki: 'I've been around for a long, long year': the spectacular evil
in the Rolling Stones' live performance career