The breakthrough novel from one of the greatest comic writers in the language - one of the twenty selected by Granta as the Best of Young British Writers 2003.
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'Marvellously inventive, a cornucopia of cornucopias all the way to its brilliant non-ending - its refusal to end. It is a new kind of book, and an intense kind of joy.' Ali Smith, TLS
'Compelling. Barker's narrative draws us in with the disturbing, surreal touch of a latter-day Lewis Carroll.' Michelene Wandor, Sunday Times
'Dazzling...She celebrates the complexity of human experience.' Frank Egerton, The Times
'Insanely inventive. Her vision of a marginal Britain populated by drifters and desperados is fired by a comic energy that dances on the edge of self-combustion.' Alex Clark, Guardian
'Barker's eccentrics are the stuff of pure farce. And they allow her to reinvent, joyously, the cogs, gears and mechanics of the genre. She knows, as Wodehouse also knew, how to rev up the language, do baroque variations on a phrase, even break into a kind of poetry. Sheer wit and energy make "Behindlings" an excellent candidate for a cult novel - and not just a very good novel about a cult.' Michael Pye, New York Times
'Fucked up, fucked off and totally, weirdly brilliant.' Eithne Farry, Elle
'Extraordinary. Full of deadpan wit, black comedy and visual slapstick, the novel delights most through its imaginative extravagances.' Katie Owen, Sunday Telegraph
'Compelling. Barker's narrative draws us in with the disturbing, surreal touch of a latter-day Lewis Carroll.' Michelene Wandor, Sunday Times
'Dazzling...She celebrates the complexity of human experience.' Frank Egerton, The Times
'Insanely inventive. Her vision of a marginal Britain populated by drifters and desperados is fired by a comic energy that dances on the edge of self-combustion.' Alex Clark, Guardian
'Barker's eccentrics are the stuff of pure farce. And they allow her to reinvent, joyously, the cogs, gears and mechanics of the genre. She knows, as Wodehouse also knew, how to rev up the language, do baroque variations on a phrase, even break into a kind of poetry. Sheer wit and energy make "Behindlings" an excellent candidate for a cult novel - and not just a very good novel about a cult.' Michael Pye, New York Times
'Fucked up, fucked off and totally, weirdly brilliant.' Eithne Farry, Elle
'Extraordinary. Full of deadpan wit, black comedy and visual slapstick, the novel delights most through its imaginative extravagances.' Katie Owen, Sunday Telegraph