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Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their…mehr
Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives.
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Autorenporträt
Richard Glover is a Reader in Music at the University of Wolverhampton, UK, and divides his time between composing, and writing and presenting on the perception, construction and notation of experimental musics. He has received many international performances of his music, and has recently published book chapters on Phill Niblock and technology in minimalism.
Inhaltsangabe
Acknowledgements Introduction Richard Glover, Jennie Gottschalk, and Bryn Harrison Chapter One: Foreshadowing and Recollection: Listening Through Morton Feldman's Piano, Violin, Viola, Cello Bryn Harrison Postlude to Chapter One Richard Glover Chapter Two: Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics Bryn Harrison Postlude to Chapter Two Jennie Gottschalk Chapter Three: Separation and Continuity in Chiyoko Szlavnics' Gradients of Detail Richard Glover Postlude to Chapter Three Jennie Gottschalk Chapter Four: Filtering Temporality in Ryoji Ikeda's +/- Richard Glover Postlude to Chapter Four Bryn Harrison Chapter Five: Granulated Time: Toshiya Tsunoda's O Kokos Tis Anixis Jennie Gottschalk Postlude to Chapter Five Bryn Harrison Chapter Six: Monoliths: Laurie Spiegel's The Expanding Universe and André O. Möller's musik für orgel und eine(n) tonsetzer(in) Jennie Gottschalk Postlude to Chapter Six Richard Glover Chapter Seven: Observations on Musical Behaviors and Temporality Richard Glover, Jennie Gottschalk, and Bryn Harrison Epilogue Appendix: Suggested Further Reading and Listening
Acknowledgements Introduction Richard Glover, Jennie Gottschalk, and Bryn Harrison Chapter One: Foreshadowing and Recollection: Listening Through Morton Feldman's Piano, Violin, Viola, Cello Bryn Harrison Postlude to Chapter One Richard Glover Chapter Two: Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics Bryn Harrison Postlude to Chapter Two Jennie Gottschalk Chapter Three: Separation and Continuity in Chiyoko Szlavnics' Gradients of Detail Richard Glover Postlude to Chapter Three Jennie Gottschalk Chapter Four: Filtering Temporality in Ryoji Ikeda's +/- Richard Glover Postlude to Chapter Four Bryn Harrison Chapter Five: Granulated Time: Toshiya Tsunoda's O Kokos Tis Anixis Jennie Gottschalk Postlude to Chapter Five Bryn Harrison Chapter Six: Monoliths: Laurie Spiegel's The Expanding Universe and André O. Möller's musik für orgel und eine(n) tonsetzer(in) Jennie Gottschalk Postlude to Chapter Six Richard Glover Chapter Seven: Observations on Musical Behaviors and Temporality Richard Glover, Jennie Gottschalk, and Bryn Harrison Epilogue Appendix: Suggested Further Reading and Listening
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