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  • Format: ePub

In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published. Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like…mehr

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Produktbeschreibung
In a globalised world, megacorp publishing is all about numbers, about sameness, about following a formula based on the latest megasuccess. Each book is expected to pay for itself and all the externalities of publishing such as offices and CEO salaries. It means that books which take off slowly but have long lives, the books that change social norms, are less likely to be published. Independent publishers are seeking another way. A way of engagement with society and methods that reflect something important about the locale or the niche they inhabit. Independent and small publishers are like rare plants that pop up among the larger growth but add something different, perhaps they feed the soil, bring colour or scent into the world.Bibliodiversity is a term invented by Chilean publishers in the 1990s as a way of envisioning a different kind of publishing. In this manifesto, Susan Hawthorne provides a scathing critique of the global publishing industry set against a visionary proposal for organic publishing. She looks at free speech and fair speech, at the environmental costs of mainstream publishing and at the promises and challenges of the move to digital.

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Autorenporträt
Susan Hawthorne has worked in the book industry for more than thirty years as a writer, festival organiser, reviewer, editor, publisher and mentor. In 1991, she co-founded Spinifex Press with Renate Klein, after working as an editor for Penguin Australia for four years. She has written extensively about the industry, co-organised digital training for small and large publishers, taught Publishing Studies and Creative Writing, and has been an active member of peak bodies for publishers and writers. She is a member of the Australian Society of Authors (ASA), PEN Melbourne, Poetry Australia, Small Publishers Network (SPN) and on the Independent Publishers Committee of the Australian Publishers Association (APA). Since 2011, she has been the English-language Coordinator for the International Alliance of Independent Publishers based in Paris. She is Adjunct Professor in the Writing Program at James Cook University and Publisher at Spinifex Press.