Drawing on the traditions of jazz improvisation and Oulipo, a literary movement where writing arises from extreme formal restriction, Playing the Changes sees Simon Turner decomposing and recomposing one of his own poems in a variety of forms and styles. The result is a hymn to the pleasures of music, reading, writing, and city life, humming with a joyous experimental energy. In Turner's linguistic hall of mirrors, the English language is always at serious, delirious play.
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