This book explores how the stereotypes of Andalusian-gypsy spectacle, banditry and the fiestas of the bullfight-contributed to the eventual success of Bizet's opera. How did Bizet and his librettists, Meilhac and Halévy-and the scenographic team-capture the spirit of Spain so strongly as to seduce opera-goers around the world? And how did it hybridise real Spanish music and French Opera with the essential 'moments' of Spanish life so important to Mérimée and his librettists? The original staging of the opera is used to examine both 'places' and characters, in particular of realities and mythologies about gypsies in the nineteenth century. It concludes with the first ways in which the opera reached the stage, both in terms of its scenography and how it was sung, played and acted.
Copiously illustrated with materials emanating from before the first production, the book reveals some of the realities of the Spain which went into this ground-breakingopera, to this day continually re-invented with new angles, new settings and new interpretations.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.