Who hasn't had the frightening experience of stumbling around in the pitch dark? Alain Badiou experienced that primitive terror when he, with his young friends, made up a game called "e;The Stroke of Midnight."e; The furtive discovery of the dark continent of sex in banned magazines, the beauty of black ink on paper, but also the mysteries of space and the grief of mourning: these are some of the things we encounter as the philosopher takes us on a trip through the private theater of his mind, at the whim of his memories. Music, painting, politics, sex, and metaphysics: all contribute to making black more luminous than it has ever been.
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"Badiou's Black is a singular and remarkable book. This is not the Badiou of ontology, set theory and the theorization of subjectivity, nor the Badiou of incisive political intervention or philosophical-historical summation. Working through a series of ficto-critical vignettes, Black is composed of subtle and diverse meditations on black as a darkness that obscures at the same time as it discloses. Black at once hearkens back to a style of personal philosophy that seemed lost with Blanchot, while also looking forward to a new mode of singular meditation that is perhaps necessary for twenty-first-century thought."
Claire Colebrook, Penn State University
Claire Colebrook, Penn State University