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  • Format: ePub

Juan Gay is on his deathbed. He has decided to spend his last days in The Palace: a monumental, fading institution in the desert, which was an asylum in another lifetime. There, a young man tends to this dying soul - someone who Juan met only once, but who has haunted the edges of his life ever since.As the end approaches, the two trade stories - resurrecting lost loves, lives, mothers and fathers - and their lives are woven, ineluctably, into a broader story of pathology and oppression. Charged with sifting through Juan's belongings, our narrator uncovers a copy of Sex Variants: A Study in…mehr

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Produktbeschreibung
Juan Gay is on his deathbed. He has decided to spend his last days in The Palace: a monumental, fading institution in the desert, which was an asylum in another lifetime. There, a young man tends to this dying soul - someone who Juan met only once, but who has haunted the edges of his life ever since.As the end approaches, the two trade stories - resurrecting lost loves, lives, mothers and fathers - and their lives are woven, ineluctably, into a broader story of pathology and oppression. Charged with sifting through Juan's belongings, our narrator uncovers a copy of Sex Variants: A Study in Homosexual Patterns, its pages blacked out, censored, reduced down to poetic dispatches. And, as he sifts through the manuscript, another story is told: that of Jan Gay - a radical, queer anthropologist - whose ground-breaking work was co-opted, and stifled, by the committee she served.Blackouts is a haunting, dreamlike rumination on memory and erasure, on the ways in which stories sustain histories. Both emotionally and intellectually daring, Justin Torres blends fact with fiction - drawing from historical records, screenplays, testimony and image - force us to look again at the world we have inherited and the narratives we have received.

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Autorenporträt
Justin Torres is the author of We the Animals, which won the VCU Cabell First Novelist Award, was translated into fifteen languages, and was adapted into a feature film. He was named a National Book Foundation "5 Under 35," a Wallace Stegner Fellow at Stanford University, a fellow at the Radcliffe Institute for Advanced Study at Harvard University, and a Cullman Center Fellow at the New York Public Library. His short fiction has appeared in The New Yorker, Harper's, Granta, Tin House, and The Washington Post. He lives in Los Angeles, and teaches at UCLA.