37,95 €
37,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
19 °P sammeln
37,95 €
37,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
19 °P sammeln
Als Download kaufen
37,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
19 °P sammeln
Jetzt verschenken
37,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
19 °P sammeln
  • Format: PDF

This volume discusses theories and recent research on music and sounds from a wide range of disciplines, including music psychology, composition, musicology, computer science, music theory, sound arts, acoustics and neuropsychology. Topics range from the pleasures of being locked into the beat of the music, perception-action coupling and bodily resonance, and affordances of musical instruments, to neural and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination…mehr

Produktbeschreibung
This volume discusses theories and recent research on music and sounds from a wide range of disciplines, including music psychology, composition, musicology, computer science, music theory, sound arts, acoustics and neuropsychology. Topics range from the pleasures of being locked into the beat of the music, perception-action coupling and bodily resonance, and affordances of musical instruments, to neural and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Clemens Wöllner is Professor of Systematic Musicology at the University of Hamburg, Germany. His research focuses on performance, multimodal perception and the acquisition of expert skills, employing a range of interdisciplinary methods including motion capture, eye-tracking and physiological measures. He has published widely on topics related to musical conducting, perception-action coupling, human movement, imagery and attention in pianists, empathy and research reflexivity.