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  • Format: ePub

'White people in their big shiny cars drive many kilometres with their sickness which I heal; sickness of the mind, body and of the soul. I charge a bit more for the soul'
At night, a young black boy is 'questioned' by a white South African policeman.....
36 years later, when the truth is dug up, a tortured Jennifer watches over her dying husband. But does her maid Beauty have the power to 'save' him, and is the price of remembering a dreadful secret one that Jennifer is prepared to pay?
Bones is a ruthless excavation of South Africa in 2005, and in an age of threats, retribution
…mehr

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Produktbeschreibung
'White people in their big shiny cars drive many kilometres with their sickness which I heal; sickness of the mind, body and of the soul. I charge a bit more for the soul'

At night, a young black boy is 'questioned' by a white South African policeman.....
36 years later, when the truth is dug up, a tortured Jennifer watches over her dying husband. But does her maid Beauty have the power to 'save' him, and is the price of remembering a dreadful secret one that Jennifer is prepared to pay?

Bones is a ruthless excavation of South Africa in 2005, and in an age of threats, retribution and bloody revenge, it is an anthem for hope. A production directed by Adshead opened at the Bush Theatre in October 2006.
Autorenporträt
Kay Adshead is a poet, playwright and theatre maker. In 1999 with Lucinda Gane she co-founded award-winning theatre company Mama Quilla, producing: The Bogus Woman (Fringe First, Adelaide Fringe Sensation Award, M.E.N. award for best actress, nominated for an E.M.M.A and Susan Smith Blackburn Award.) at the Traverse and the Bush; Bites, the Bush (nominated for Susan Smith Blackburn Award); and Bones at the Haymarket Leicester and the Bush. All plays have subsequently been produced internationally. Ongoing projects include Acts Of Defiance and Working Girls. She has written over twenty-five plays, including Thatcher's Women for Paines Plough at the Tricycle, (nominated for the Susan Smith Blackburn Award); Bacillus for the Royal Court; Animal for Soho Theatre Company (nominated for Encore Best Play of Year); and Lady Chill for the RNT. Recently she contributed to Thatcherwrite for Theatre503 and wrote Happy Ending for Natural Shocks. She lives between London, and Houston Texas.