Cecilia Josephine Aragón
Borderlands Children's Theatre (eBook, ePUB)
Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
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Cecilia Josephine Aragón
Borderlands Children's Theatre (eBook, ePUB)
Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre
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This book chronicles the child performer as part of the Mexican-American/Chicana/o theatre experience. This book adds to the national and international dialogue in theatre and gives voice to Mexican-American/Chicana/o children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
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This book chronicles the child performer as part of the Mexican-American/Chicana/o theatre experience. This book adds to the national and international dialogue in theatre and gives voice to Mexican-American/Chicana/o children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 174
- Erscheinungstermin: 3. März 2022
- Englisch
- ISBN-13: 9781000533828
- Artikelnr.: 63535905
- Verlag: Taylor & Francis
- Seitenzahl: 174
- Erscheinungstermin: 3. März 2022
- Englisch
- ISBN-13: 9781000533828
- Artikelnr.: 63535905
Dr. Cecilia Josephine Aragón is Professor of Theatre and Dance, and Latina/o Studies in the School of Culture, Gender, and Social Justice at the University of Wyoming, Laramie, Wyoming, USA. Aragón currently serves as Area Head of Theatre for Young Audiences/Theatre Education and Executive Director of Wyoming Latina Youth Center.
Acknowledgements
Dedication
Foreword
Introduction
- Performing Mestizaje: Memory, Body, and Land
- A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western Concept of Childhood
- Understanding Children's Theatre in the United States
- U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre for Young Audiences (LTYA)
- Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre Practices
- Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of Children
- Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre from the 1930s to the 1950s
- Chicana/o Movement 1960-1979: Theatre, Education, and Political Mobilization
- Emergence of Chicana/o Children's Theatre and Latina/o Theatre for Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
- Border Theory
- Border Theory y Mujer Feminista
- Border Theory and Theatre
- Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory: Analysis of Chicana/o Drama for Children and Youth
- Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza Consciousness
- Farolitos of Christmas: Generational Borders
- The Highest Heaven: Beyond Borders
- No saco nada de la escuela: Border Politics of Education
- Simply María or The American Dream: Border-Crossing Dreamer
- The Drop Out: Borderline At-Risk Student
- The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
- Writing for Chicana/o Children and Youth: Playwright's Reflections
- Summary
- Conclusion: Advocacy for the Millennium and Expressing New Trends for Chicana/o/Mexican-American Young Audiences
Bibliography
Index
Acknowledgements
Dedication
Foreword
Introduction
* Performing Mestizaje: Memory, Body, and Land
* A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western
Concept of Childhood
1. Understanding Children's Theatre in the United States
2. U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre
for Young Audiences (LTYA)
3. Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An
Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre
Practices
1. Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of
Children
2. Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre
from the 1930s to the 1950s
3. Chicana/o Movement 1960-1979: Theatre, Education, and Political
Mobilization
4. Emergence of Chicana/o Children's Theatre and Latina/o Theatre for
Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
1. Border Theory
2. Border Theory y Mujer Feminista
3. Border Theory and Theatre
4. Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory:
Analysis of Chicana/o Drama for Children and Youth
1. Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza
Consciousness
2. Farolitos of Christmas: Generational Borders
3. The Highest Heaven: Beyond Borders
4. No saco nada de la escuela: Border Politics of Education
5. Simply María or The American Dream: Border-Crossing Dreamer
6. The Drop Out: Borderline At-Risk Student
7. The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
1. Writing for Chicana/o Children and Youth: Playwright's Reflections
2. Summary
3. Conclusion: Advocacy for the Millennium and Expressing New Trends for
Chicana/o/Mexican-American Young Audiences
Bibliography
Index
Dedication
Foreword
Introduction
* Performing Mestizaje: Memory, Body, and Land
* A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western
Concept of Childhood
1. Understanding Children's Theatre in the United States
2. U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre
for Young Audiences (LTYA)
3. Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An
Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre
Practices
1. Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of
Children
2. Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre
from the 1930s to the 1950s
3. Chicana/o Movement 1960-1979: Theatre, Education, and Political
Mobilization
4. Emergence of Chicana/o Children's Theatre and Latina/o Theatre for
Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
1. Border Theory
2. Border Theory y Mujer Feminista
3. Border Theory and Theatre
4. Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory:
Analysis of Chicana/o Drama for Children and Youth
1. Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza
Consciousness
2. Farolitos of Christmas: Generational Borders
3. The Highest Heaven: Beyond Borders
4. No saco nada de la escuela: Border Politics of Education
5. Simply María or The American Dream: Border-Crossing Dreamer
6. The Drop Out: Borderline At-Risk Student
7. The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
1. Writing for Chicana/o Children and Youth: Playwright's Reflections
2. Summary
3. Conclusion: Advocacy for the Millennium and Expressing New Trends for
Chicana/o/Mexican-American Young Audiences
Bibliography
Index
Acknowledgements
Dedication
Foreword
Introduction
- Performing Mestizaje: Memory, Body, and Land
- A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western Concept of Childhood
- Understanding Children's Theatre in the United States
- U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre for Young Audiences (LTYA)
- Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre Practices
- Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of Children
- Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre from the 1930s to the 1950s
- Chicana/o Movement 1960-1979: Theatre, Education, and Political Mobilization
- Emergence of Chicana/o Children's Theatre and Latina/o Theatre for Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
- Border Theory
- Border Theory y Mujer Feminista
- Border Theory and Theatre
- Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory: Analysis of Chicana/o Drama for Children and Youth
- Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza Consciousness
- Farolitos of Christmas: Generational Borders
- The Highest Heaven: Beyond Borders
- No saco nada de la escuela: Border Politics of Education
- Simply María or The American Dream: Border-Crossing Dreamer
- The Drop Out: Borderline At-Risk Student
- The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
- Writing for Chicana/o Children and Youth: Playwright's Reflections
- Summary
- Conclusion: Advocacy for the Millennium and Expressing New Trends for Chicana/o/Mexican-American Young Audiences
Bibliography
Index
Acknowledgements
Dedication
Foreword
Introduction
* Performing Mestizaje: Memory, Body, and Land
* A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western
Concept of Childhood
1. Understanding Children's Theatre in the United States
2. U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre
for Young Audiences (LTYA)
3. Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An
Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre
Practices
1. Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of
Children
2. Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre
from the 1930s to the 1950s
3. Chicana/o Movement 1960-1979: Theatre, Education, and Political
Mobilization
4. Emergence of Chicana/o Children's Theatre and Latina/o Theatre for
Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
1. Border Theory
2. Border Theory y Mujer Feminista
3. Border Theory and Theatre
4. Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory:
Analysis of Chicana/o Drama for Children and Youth
1. Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza
Consciousness
2. Farolitos of Christmas: Generational Borders
3. The Highest Heaven: Beyond Borders
4. No saco nada de la escuela: Border Politics of Education
5. Simply María or The American Dream: Border-Crossing Dreamer
6. The Drop Out: Borderline At-Risk Student
7. The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
1. Writing for Chicana/o Children and Youth: Playwright's Reflections
2. Summary
3. Conclusion: Advocacy for the Millennium and Expressing New Trends for
Chicana/o/Mexican-American Young Audiences
Bibliography
Index
Dedication
Foreword
Introduction
* Performing Mestizaje: Memory, Body, and Land
* A Note on the Structure of This Book
Chapter 1: An Overview of United States Children's Theatre and the Western
Concept of Childhood
1. Understanding Children's Theatre in the United States
2. U.S. Children's Theatre/TYA and the Convergence of Latina/o Theatre
for Young Audiences (LTYA)
3. Changing Cultural Conceptions of Children and Youth
Chapter 2: Historical Context of Borderlands Children's Theatre: An
Overview of Traditional and Contemporary Chicana/o/Mexican-American Theatre
Practices
1. Pre-Columbian and Mesoamerican Rituals, Celebrations, and Roles of
Children
2. Southwest Hispanic Theatre 1821-1950 and Spanish-language theatre
from the 1930s to the 1950s
3. Chicana/o Movement 1960-1979: Theatre, Education, and Political
Mobilization
4. Emergence of Chicana/o Children's Theatre and Latina/o Theatre for
Young Audiences, 1960 to the Present
Chapter 3: Theorizing a Border Crossing Subject/Self
1. Border Theory
2. Border Theory y Mujer Feminista
3. Border Theory and Theatre
4. Psycho/Social Theory: Ethnic Identity in the Borderlands
Chapter 4: An Application of Border Theories and Psycho/Social Theory:
Analysis of Chicana/o Drama for Children and Youth
1. Alicia in Wonder Tierra (or I Can't Eat Goat Head): Quest for Mestiza
Consciousness
2. Farolitos of Christmas: Generational Borders
3. The Highest Heaven: Beyond Borders
4. No saco nada de la escuela: Border Politics of Education
5. Simply María or The American Dream: Border-Crossing Dreamer
6. The Drop Out: Borderline At-Risk Student
7. The Border-Crossing Subject/Self and Ethnic Production
Chapter 5: Borderlands Theatrical Legacies: Antecedents and the Future
1. Writing for Chicana/o Children and Youth: Playwright's Reflections
2. Summary
3. Conclusion: Advocacy for the Millennium and Expressing New Trends for
Chicana/o/Mexican-American Young Audiences
Bibliography
Index