Boxes is a dark tale of a young couple and their enigmatic new neighbours, from the 'slyly funny' [Sunday Times] Pascal Garnier.
'This is quality writing' Crime Review
Brice and Emma had bought their new home in the countryside together. And then Emma disappeared. Now, as he awaits her return, Brice busies himself with DIY and walks around the village. He gradually comes to know his new neighbours including Blanche, an enigmatic woman in white, who has lived on her own in the big house by the graveyard since the death of her father, to whom Brice bears a curious resemblance...
'This is quality writing' Crime Review
Brice and Emma had bought their new home in the countryside together. And then Emma disappeared. Now, as he awaits her return, Brice busies himself with DIY and walks around the village. He gradually comes to know his new neighbours including Blanche, an enigmatic woman in white, who has lived on her own in the big house by the graveyard since the death of her father, to whom Brice bears a curious resemblance...
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'Masterly' John Banville'
'A small but perfectly formed piece of darkest noir fiction told in spare, mordant prose ... Recounted with disconcerting matter-of-factness, this marvellously unpredictable story is surreal and horrific in equal measure.' The Guardian
'A dark, richly odd and disconcerting world ... devastating and brilliant' Sunday Times
'Exquisite noir' Publishers Weekly
'It's clever and razor-sharp writing and plotting, with deceptive calm and innocence and naïveté, and then shocking, sudden horror. No question, Garnier was a master of his art, and a wonderful-terrible art it was.' M.A. Orthofer, The Complete Review
'A small but perfectly formed piece of darkest noir fiction told in spare, mordant prose ... Recounted with disconcerting matter-of-factness, this marvellously unpredictable story is surreal and horrific in equal measure.' The Guardian
'A dark, richly odd and disconcerting world ... devastating and brilliant' Sunday Times
'Exquisite noir' Publishers Weekly
'It's clever and razor-sharp writing and plotting, with deceptive calm and innocence and naïveté, and then shocking, sudden horror. No question, Garnier was a master of his art, and a wonderful-terrible art it was.' M.A. Orthofer, The Complete Review