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Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians worldwide have adapted the brass band prototype to their various home settings for a variety of functions. This study engages three broad but overlapping themes: the military heritage of the band world and its expansion through Europe and beyond; the processes of localization of the military band model; and bands as arenas of musical instruction and community music making.…mehr

Produktbeschreibung
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians worldwide have adapted the brass band prototype to their various home settings for a variety of functions. This study engages three broad but overlapping themes: the military heritage of the band world and its expansion through Europe and beyond; the processes of localization of the military band model; and bands as arenas of musical instruction and community music making.

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Autorenporträt
Suzel Ana Reily is a Reader in Ethnomusicology and Social Anthropology at Queen's University Belfast. She has published widely on Brazilian music, focusing on local community traditions, such as choirs, brass bands and local folk groups. Katherine Brucher is an Assistant Professor of Music at the DePaul University School of Music in Chicago, Illinois, USA. She has published on the music of Portugal and Portuguese diaspora communities, music and migration, and global wind band traditions.