Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.
Cristina F. Rosa is a native of Brazil who migrated to the US in 1996. She is currently a full-time faculty lecturer in dance at Tufts University. Her research interests include the intersection of embodiment, knowledge production, and processes of identification. She has been published in TDR and e-misférica. She previously taught in the US at Reed College, the University of California, Riverside, the Florida State University, and the California Institute of the Arts. She has also served as a research fellow at Freie Universität Berlin's International Research Center 'Interweaving Performance Cultures' (Germany, 2012-13). She earned her PhD from the University of California, Los Angeles.
Inhaltsangabe
Introduction: Choreographing Ideas PART I: UNDERSTANDING GINGA 1. Decoding Ginga Aesthetic 2. Historicizing Ginga PART II: ANALYSING GINGA 3. Understanding the Presence of Ginga in Samba Circles 4. Investigating the Articulation of Ginga in Capoeira Angola 5. What is it about the Baiana? PART III: STAGING GINGA 6. Brazilian Bodies and the National in Dance 7. What is it about Grupo Corpo? Conclusion: The Pride and Shame of being a Swing Nation
Introduction: Choreographing Ideas PART I: UNDERSTANDING GINGA 1. Decoding Ginga Aesthetic 2. Historicizing Ginga PART II: ANALYSING GINGA 3. Understanding the Presence of Ginga in Samba Circles 4. Investigating the Articulation of Ginga in Capoeira Angola 5. What is it about the Baiana? PART III: STAGING GINGA 6. Brazilian Bodies and the National in Dance 7. What is it about Grupo Corpo? Conclusion: The Pride and Shame of being a Swing Nation
Introduction: Choreographing Ideas PART I: UNDERSTANDING GINGA 1. Decoding Ginga Aesthetic 2. Historicizing Ginga PART II: ANALYSING GINGA 3. Understanding the Presence of Ginga in Samba Circles 4. Investigating the Articulation of Ginga in Capoeira Angola 5. What is it about the Baiana? PART III: STAGING GINGA 6. Brazilian Bodies and the National in Dance 7. What is it about Grupo Corpo? Conclusion: The Pride and Shame of being a Swing Nation
Introduction: Choreographing Ideas PART I: UNDERSTANDING GINGA 1. Decoding Ginga Aesthetic 2. Historicizing Ginga PART II: ANALYSING GINGA 3. Understanding the Presence of Ginga in Samba Circles 4. Investigating the Articulation of Ginga in Capoeira Angola 5. What is it about the Baiana? PART III: STAGING GINGA 6. Brazilian Bodies and the National in Dance 7. What is it about Grupo Corpo? Conclusion: The Pride and Shame of being a Swing Nation
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497