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This wide-ranging study traces the evolution of Brazilian film from the silent era, setting the context for a detailed study of more recent international box-office hits.
This wide-ranging study traces the evolution of Brazilian film from the silent era, setting the context for a detailed study of more recent international box-office hits.
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Autorenporträt
Lisa Shaw is Reader in Portuguese and Brazilian Studies at the University of Liverpool. She is author of The Social History of the Brazilian Samba (1999), co-author of Popular Cinema in Brazil (2004) and co-editor of Latin American Cinema: Essays on Modernity, Gender and National Identity (2005).
Stephanie Dennison is Senior Lecturer in Portuguese and Brazilian Studies at the University of Leeds. She is co-author of Popular Cinema in Brazil (2004) and co-editor of Latin American Cinema: Essays on Modernity, Gender and National Identity (2005) and Remapping World Cinema: Identity, Politics and Culture in Film (2006).
Inhaltsangabe
Introduction Part I: Cinema and the State 1. The First Republic (1889 1930) 2. The Vargas Years (1930 45) and (1951 4) 3. Filmmaking and the Dictatorship (1964 84) 4. Cinema and Redemocratization (1984 2006) Part II: Defining 'National' Cinema, 1896 to 1960 5. The Pioneers 6. The Chanchada, the Only Brazilian Genre? Part III: Defining 'National' Cinema since 1960 7. Cinema Novo 8. Pornochanchada 9. The Nation in Contemporary Cinema Part IV: Brazilian Identities on Screen: Stars 10. The Stars of the Chanchadas, 1933 1960 11. Icons of Popular Culture post 1960 12. Bombshells: Pin Up Actresses post 1960
Introduction Part I: Cinema and the State 1. The First Republic (1889-1930) 2. The Vargas Years (1930-45) and (1951-4) 3. Filmmaking and the Dictatorship (1964-84) 4. Cinema and Redemocratization (1984-2006) Part II: Defining 'National' Cinema, 1896 to 1960 5. The Pioneers 6. The Chanchada, the Only Brazilian Genre? Part III: Defining 'National' Cinema since 1960 7. Cinema Novo 8. Pornochanchada 9. The Nation in Contemporary Cinema Part IV: Brazilian Identities on Screen: Stars 10. The Stars of the Chanchadas, 1933-1960 11. Icons of Popular Culture post-1960 12. Bombshells: Pin-Up Actresses post-1960
Introduction Part I: Cinema and the State 1. The First Republic (1889 1930) 2. The Vargas Years (1930 45) and (1951 4) 3. Filmmaking and the Dictatorship (1964 84) 4. Cinema and Redemocratization (1984 2006) Part II: Defining 'National' Cinema, 1896 to 1960 5. The Pioneers 6. The Chanchada, the Only Brazilian Genre? Part III: Defining 'National' Cinema since 1960 7. Cinema Novo 8. Pornochanchada 9. The Nation in Contemporary Cinema Part IV: Brazilian Identities on Screen: Stars 10. The Stars of the Chanchadas, 1933 1960 11. Icons of Popular Culture post 1960 12. Bombshells: Pin Up Actresses post 1960
Introduction Part I: Cinema and the State 1. The First Republic (1889-1930) 2. The Vargas Years (1930-45) and (1951-4) 3. Filmmaking and the Dictatorship (1964-84) 4. Cinema and Redemocratization (1984-2006) Part II: Defining 'National' Cinema, 1896 to 1960 5. The Pioneers 6. The Chanchada, the Only Brazilian Genre? Part III: Defining 'National' Cinema since 1960 7. Cinema Novo 8. Pornochanchada 9. The Nation in Contemporary Cinema Part IV: Brazilian Identities on Screen: Stars 10. The Stars of the Chanchadas, 1933-1960 11. Icons of Popular Culture post-1960 12. Bombshells: Pin-Up Actresses post-1960
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