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The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
The essays which appear in this book for the most part originated as papers delivered at a conference on Britain and the cinema in the Second World War held in London in May 1985.
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Preface - Notes on the Contributors - Introduction: Film, The Historian and the Second World War; P.M.Taylor - British Society in the Second World War; J.Ramsden - The British Film Industry: Audiences and Producers; R.Murphy - National Identity in British Wartime Films; J.Richards - The People as Stars: Feature Films as National Expression; P.Stead - British Cinema and the Reality of War; C.Coultass - British Historical Epics in the Second World War; N.Mace - Cinematic Support for the Anglo-American Detente, 1939-43; K.R.M.Short - Creative Tensions: 'Desert Victory', the Army Film Unit and Anglo-American Rivalry, 1943-45; T.Aldgate - The Representation of Women in British Feature Films, 1939-45; S.Harper - Notes and References - Index
Preface - Notes on the Contributors - Introduction: Film, The Historian and the Second World War; P.M.Taylor - British Society in the Second World War; J.Ramsden - The British Film Industry: Audiences and Producers; R.Murphy - National Identity in British Wartime Films; J.Richards - The People as Stars: Feature Films as National Expression; P.Stead - British Cinema and the Reality of War; C.Coultass - British Historical Epics in the Second World War; N.Mace - Cinematic Support for the Anglo-American Detente, 1939-43; K.R.M.Short - Creative Tensions: 'Desert Victory', the Army Film Unit and Anglo-American Rivalry, 1943-45; T.Aldgate - The Representation of Women in British Feature Films, 1939-45; S.Harper - Notes and References - Index
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