British Art and the Environment (eBook, ePUB)
Changes, Challenges, and Responses Since the Industrial Revolution
Redaktion: Gould, Charlotte; Mesplède, Sophie
42,95 €
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
21 °P sammeln
42,95 €
Als Download kaufen
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
21 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
21 °P sammeln
British Art and the Environment (eBook, ePUB)
Changes, Challenges, and Responses Since the Industrial Revolution
Redaktion: Gould, Charlotte; Mesplède, Sophie
- Format: ePub
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This book explores the nature of Britain-based artists' engagement with the transformations of their environment since the early days of the Industrial Revolution.
- Geräte: eReader
- ohne Kopierschutz
- eBook Hilfe
- Größe: 10.54MB
This book explores the nature of Britain-based artists' engagement with the transformations of their environment since the early days of the Industrial Revolution.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 258
- Erscheinungstermin: 21. Juli 2021
- Englisch
- ISBN-13: 9781000408218
- Artikelnr.: 61925738
- Verlag: Taylor & Francis
- Seitenzahl: 258
- Erscheinungstermin: 21. Juli 2021
- Englisch
- ISBN-13: 9781000408218
- Artikelnr.: 61925738
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Charlotte Gould is Senior Lecturer in British contemporary art at Sorbonne Nouvelle, France. Sophie Mesplède is Senior Lecturer in eighteenth-century British art at the University of Rennes 2, France.
PART 1 From the Claude Glass to Drones: Framing Environmental Encounters 1
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
PART 1 From the Claude Glass to Drones: Framing Environmental Encounters 1
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"
Vehicles of Truth: Portable Studios and Nineteenth-Century British
Landscape Painting, 1856-1885 2 Painting Fog: James Abbott McNeill
Whistler's Blurred Visions of the London Atmosphere 3 Aerial Ontologies 4
An Interview with Tim Martin PART 2 Areas of Outstanding Industrial Beauty?
A Layered History of Reappropriation and Profitability 5 "It's Grim Up
North": Depicting Mutations and Shifting Perceptions of Industrial
Landscapes in the North of England 6 "Our Oil": Our Waves? Environment,
Energy Transition, and Art in Twenty-First-Century Scotland 7 Managing
Arcadia: From the King's Cross Estate to the Bretton Estate 8 An Interview
with Adrian George PART 3 Decentering Human Vision: Art in a Shared
Environment 9 Pursuing Natural Beauty: The Artist as a Hunter in
Eighteenth-Century British Art 10 "A New and Unforeseen Creation": Turner,
English Landscape, and the Anthropo(s)cene 11 The Human Landscape: John
Ruskin, Drawing, and Colour 12 A Matter of Time: Transformative Sculptures
by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy 13
Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula
Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines"