Jon Stratton

Britpop and the English Music Tradition (eBook, ePUB)

Redaktion: Bennett, Andy

• Format: ePub

Produktbeschreibung

The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 242
• Erscheinungstermin: 15. April 2016
• Englisch
• ISBN-13: 9781317171218
• Artikelnr.: 49364797

Autorenporträt

Andy Bennett is Professor of Cultural Sociology in the School of Humanities at Griffith University, Australia. Jon Stratton is Professor of Cultural Studies in the School of Media, Culture and Creative Arts at Curtin University of Technology, Australia.

Inhaltsangabe

List of Musical Examples
Notes on Contributors
General Editor's Preface
Acknowledgements
Introduction
Section 1 History and Context
Section 2 Britpop
Section 3 Post-Britpop
Bibliography
Index

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List of Musical Examples, Notes on Contributors, General Editor's Preface, Acknowledgements, Introduction, Section 1 History and Context, Section 2 Britpop, Section 3 Post-Britpop, Bibliography, Index

Rezensionen

'Britpop was the UK's headline musical phenomena during the 1990s - just at the point when devolution suggested that the UK may be breaking down. This edited collection doesn't merely describe the sights, sounds and aesthetics of Britpop, it also explores and explains its political, economic and cultural contexts. The fact that it does this with a critical edge means that it is not only essential reading for popular music students, but also a significant contribution to our understanding of a peculiarly important moment in recent musical history.' Stuart Borthwick, Liverpool John Moores University, UK