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First published in 1932, "Burn, Witch, Burn!" was written toward the end of Abraham Merritt's career and it is a fine example of pure gothic fantasy that uses the device of the superbeing as its chief interest. A successful journalist, Merritt wrote fantasies of various types for relaxation in his hours away from his job. In early stories, such as "The Moon Pool" (1919) and "The Metal Monster" (1920), and in his last novel and sequel to "Burn, Witch, Burn!", "Creep, Shadow!" (1934), Merritt produced some of the best macabre fantasies by an American writer of any period. In "Burn, Witch,…mehr

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Produktbeschreibung
First published in 1932, "Burn, Witch, Burn!" was written toward the end of Abraham Merritt's career and it is a fine example of pure gothic fantasy that uses the device of the superbeing as its chief interest. A successful journalist, Merritt wrote fantasies of various types for relaxation in his hours away from his job. In early stories, such as "The Moon Pool" (1919) and "The Metal Monster" (1920), and in his last novel and sequel to "Burn, Witch, Burn!", "Creep, Shadow!" (1934), Merritt produced some of the best macabre fantasies by an American writer of any period. In "Burn, Witch, Burn!", we meet Dr. Lowell, an eminent neurologist who becomes curious when a series of mysterious deaths comes to his attention. Men and women in the NYC area have been dying of no apparent cause, but with horrible grimaces on their faces and with very rapid onsets of rigor mortis. Lowell is aided in his investigation by Ricori, a mobster chieftain, as well as by Ricori's very efficient gang. The trail of bizarre deaths leads to one Madame Mandilip and her doll shop, and before long the reader is immersed in a world of supernaturalism and escalating tension. Lowell, hard headed man of the 20th century, is hard put to explain the unfolding creepy events by the lights of his mundane science.

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Autorenporträt
Abraham Grace Merritt, well known by his byline A. Merritt, was an American Sunday magazine editor and weird fiction author who lived from January 20, 1884, to August 21, 1943. In its fourth class, which included two writers who had passed away and two who were still alive, the Science Fiction and Fantasy Hall of Fame admitted him in 1999. Merritt was one of the highest-paid journalists of his time, earning over $25,000 a year by 1919. A hypochondriac, he talked endlessly about his medical symptoms. Lived in Queens, New York City, and owned thousands of volumes of occult literature. Richard Shaver and H. P. Lovecraft both owed a lot to Merritt. The Ship of Ishtar and Dwellers in the Mirage are listed as two of the 100 Best Books by Michael Moorcock and James Cawthorn. Robert Bloch included Burn Witch Burn on his list of favorite horror novels. "Three Lines of Old French," Merritt's first published fantasy tale, was released in 1917. The Munsey publications thereafter published more short tales and novels in serial form. A few of his stories appeared elsewhere: The Pool of the Stone God (American Weekly, 1923), The Metal Emperor (Science and Invention, 1927), and The Drone Man (Fantasy Magazine, 1934).