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"Wootton provides both substantive and nuanced analysis of the literary and film/television texts chosen for the book, and the absence of certain texts may besimply a matter of space. ... Throughout each section of the book, Wootton is strongly engaged with critics of Romantic and Victorian literature as well as film critics and reviewers who tracked the popularity of the various adaptations. Studies of literary influence can sometimes feel forced, but that is not the case here." (Cheryl A. Wilson, Tulsa Studies in Women's Literature, Vol. 37 (1), 2018)
"This is an informative monograph which prompts a re-thinking of Byron's ambivalent legacies. Elegantly written and impeccably researched, Wootton's study will be valuable to any scholars, students, or general readers interested in both the Romantic and the Victorian age as well as in the Byron phenomenon more broadly, and in twenty-first century media and film studies. ... the book takes on a subject that we thought we knew all about and discovers something fresh to say about it." (Carmen Casaliggi, Byron Journal, Vol. 45 (1), 2017)