In the play Discipline 27-II, which premiered in St. Louis, MO in 2015, Mielke makes Sun Ra's claim to have come from outer space not an artist's Afro-futurist proclamation but a statement of fact. The cast includes Saturn Aliens, a NASA official, and Gaia the Earth Goddess-all watching an elaborate Sun Ra concert. Ra's actual life story is dramatized in short scenes against this concert background. We see him growing up as Herman Blount in Birmingham, Alabama, and bantering with the racist judge who sent him to prison for refusing to serve in the Army in 1942. We see him recruiting, teaching, and sheltering the musicians who became-and still are--the Arkestra. We watch Space Aliens as they comment on racism, estrangement, and music as healing. Scenes in a bar, in a strip club, a recording studio, are watched by observant aliens and NASA interrogators as well as by the play's audience-and the cumulative effect is respectful of the man who says he's "Mister Ra, ... Mister E, but most of all, Mister Mystery." Sun Ra claimed that his true nature was cosmic, that he had come to enlighten Earth and to teach peace. He and the Arkestra became known for futuristic costumes, musical experimentation, and performance art. The play's notes includes extensive comments on costume options, sets, and performance alternatives-even a recipe for "Moon Stew," to be served or sold at the concession stand twenty minutes before the play starts. Audience involvement in Discipline 27-II begins immediately, in the theater lobby where Arkestra members sit at random tables doing improvised riffs of increasing intensity. It continues as we listen in on conversations about philosophy and ethics and music, and watch exotic dancers and amazing singers and space aliens interact.
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