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The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social…mehr
The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social and literary scene in England in Chaucer's time, and comedy, pathos and romance in the Canterbury Tales. The volume now offers a useful chronology, and the bibliography has been entirely updated to provide an indispensable guide for today's student of Chaucer.
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Autorenporträt
Piero Boitani is Professor of Comparative Literature in the Department of English at the University of Rome 'La Sapienza'. He is the author of many volumes including The Tragic and the Sublime in Medieval Literature (Cambridge 1989), The Shadow of Ulysses. Figures of a Myth (1994) and The Bible and its Rewritings (1999). Jill Mann is Notre Dame Professor of English at the University of Notre Dame and Life Fellow of Girton College, Cambridge. She has written extensively on Geoffrey Chaucer and medieval authors including Langland, Malory and the Gawain-poet. Her most recent book is Feminizing Chaucer (2002).
Inhaltsangabe
1. The social and literary scene in England Paul Strohm 2. Chaucer's French inheritance Ardis Butterfield 3. Chaucer's Italian inheritance David Wallace 4. Old books brought to life in dreams: the Book of the Duchess, the House of Fame, the Parliament of Fowls Piero Boitani 5. Telling the story in Troilus and Criseyde Mark Lambert 6. Chance and destiny in Troilus and Criseyde and The Knight's Tale Jill Mann 7. The Legend of Good Women Julia Boffey and A. S. G. Edwards 8. The Canterbury Tales: personal drama or experiments in poetic variety? C. David Benson 9. The Canterbury Tales I: Romance J. A. Burrow 10. The Canterbury Tales II: Comedy Derek Pearsall 11. The Canterbury Tales III: Pathos Robert Worth Frank, Jr. 12. The Canterbury Tales IV: Exemplum and fable A. C. Spearing 13. Literary structures in Chaucer Barry A. Windeatt 14. Chaucer's style Christopher Cannon 15. Chaucer's presence and absence, 1400-1542 James Simpson 16. New approaches to Chaucer Carolyn Dinshaw 17. Further reading: a guide to Chaucer studies Joerg Fichte.
1. The social and literary scene in England Paul Strohm; 2. Chaucer's French inheritance Ardis Butterfield; 3. Chaucer's Italian inheritance David Wallace; 4. Old books brought to life in dreams: the Book of the Duchess, the House of Fame, the Parliament of Fowls Piero Boitani; 5. Telling the story in Troilus and Criseyde Mark Lambert; 6. Chance and destiny in Troilus and Criseyde and The Knight's Tale Jill Mann; 7. The Legend of Good Women Julia Boffey and A. S. G. Edwards; 8. The Canterbury Tales: personal drama or experiments in poetic variety? C. David Benson; 9. The Canterbury Tales I: Romance J. A. Burrow; 10. The Canterbury Tales II: Comedy Derek Pearsall; 11. The Canterbury Tales III: Pathos Robert Worth Frank, Jr.; 12. The Canterbury Tales IV: Exemplum and fable A. C. Spearing; 13. Literary structures in Chaucer Barry A. Windeatt; 14. Chaucer's style Christopher Cannon; 15. Chaucer's presence and absence, 1400-1542 James Simpson; 16. New approaches to Chaucer Carolyn Dinshaw; 17. Further reading: a guide to Chaucer studies Joerg Fichte.
1. The social and literary scene in England Paul Strohm 2. Chaucer's French inheritance Ardis Butterfield 3. Chaucer's Italian inheritance David Wallace 4. Old books brought to life in dreams: the Book of the Duchess, the House of Fame, the Parliament of Fowls Piero Boitani 5. Telling the story in Troilus and Criseyde Mark Lambert 6. Chance and destiny in Troilus and Criseyde and The Knight's Tale Jill Mann 7. The Legend of Good Women Julia Boffey and A. S. G. Edwards 8. The Canterbury Tales: personal drama or experiments in poetic variety? C. David Benson 9. The Canterbury Tales I: Romance J. A. Burrow 10. The Canterbury Tales II: Comedy Derek Pearsall 11. The Canterbury Tales III: Pathos Robert Worth Frank, Jr. 12. The Canterbury Tales IV: Exemplum and fable A. C. Spearing 13. Literary structures in Chaucer Barry A. Windeatt 14. Chaucer's style Christopher Cannon 15. Chaucer's presence and absence, 1400-1542 James Simpson 16. New approaches to Chaucer Carolyn Dinshaw 17. Further reading: a guide to Chaucer studies Joerg Fichte.
1. The social and literary scene in England Paul Strohm; 2. Chaucer's French inheritance Ardis Butterfield; 3. Chaucer's Italian inheritance David Wallace; 4. Old books brought to life in dreams: the Book of the Duchess, the House of Fame, the Parliament of Fowls Piero Boitani; 5. Telling the story in Troilus and Criseyde Mark Lambert; 6. Chance and destiny in Troilus and Criseyde and The Knight's Tale Jill Mann; 7. The Legend of Good Women Julia Boffey and A. S. G. Edwards; 8. The Canterbury Tales: personal drama or experiments in poetic variety? C. David Benson; 9. The Canterbury Tales I: Romance J. A. Burrow; 10. The Canterbury Tales II: Comedy Derek Pearsall; 11. The Canterbury Tales III: Pathos Robert Worth Frank, Jr.; 12. The Canterbury Tales IV: Exemplum and fable A. C. Spearing; 13. Literary structures in Chaucer Barry A. Windeatt; 14. Chaucer's style Christopher Cannon; 15. Chaucer's presence and absence, 1400-1542 James Simpson; 16. New approaches to Chaucer Carolyn Dinshaw; 17. Further reading: a guide to Chaucer studies Joerg Fichte.
Rezensionen
'The Anglo-Italian editorial team is to be congratulated for giving new focus to what has become a classic guide to England's greatest mediaeval poet.' Contemporary Review
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