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This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic…mehr
This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.
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Inhaltsangabe
List of illustrations List of musical examples and tables List of contributors Preface Chronology Part I. Horizons: 1. Defining the indefinable: romanticism and music Benedict Taylor 2. The emergence of romanticism Keith Chapin Part II. Worlds: 3. Music in romantic literature and poetry Miranda Stanyon 4. Music, romantic landscape, and the visual Thomas Peattie 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart 6. Music, romanticism, and politics Katherine Hambridge 7. Music and technology John Tresch 8. Music, magic, and the supernatural Francesca Brittan 9. A kingdom not of this world: music, religion, art-religion James Garratt Part III. Aesthetics: 10. Music in early German romantic philosophy Tomás McAuley 11. Meaning and value in romantic musical aesthetics Alexander Wilfing 12. Music and romantic interiority Holly Watkins 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones Part IV. Practices: 14. Romantic languages Julian Horton 15. Romantic forms Steven Vande Moortele 16. Romanticism and the ideal of song Lisa Feurzeig 17. Music staged and unstaged Sarah Hibberd 18. Romanticism and performance Dana Gooley Part V. Histories: 19. Musical romanticism as a historiographical construct Nicole Grimes 20. The end(s) of musical romanticism Sebastian Wedler Select bibliography Index.
List of illustrations List of musical examples and tables List of contributors Preface Chronology Part I. Horizons: 1. Defining the indefinable: romanticism and music Benedict Taylor 2. The emergence of romanticism Keith Chapin Part II. Worlds: 3. Music in romantic literature and poetry Miranda Stanyon 4. Music, romantic landscape, and the visual Thomas Peattie 5. Romanticism, the folk, and musical nationalisms Matthew Gelbart 6. Music, romanticism, and politics Katherine Hambridge 7. Music and technology John Tresch 8. Music, magic, and the supernatural Francesca Brittan 9. A kingdom not of this world: music, religion, art-religion James Garratt Part III. Aesthetics: 10. Music in early German romantic philosophy Tomás McAuley 11. Meaning and value in romantic musical aesthetics Alexander Wilfing 12. Music and romantic interiority Holly Watkins 13. Music, expression, and the aesthetics of authenticity Karen Leistra-Jones Part IV. Practices: 14. Romantic languages Julian Horton 15. Romantic forms Steven Vande Moortele 16. Romanticism and the ideal of song Lisa Feurzeig 17. Music staged and unstaged Sarah Hibberd 18. Romanticism and performance Dana Gooley Part V. Histories: 19. Musical romanticism as a historiographical construct Nicole Grimes 20. The end(s) of musical romanticism Sebastian Wedler Select bibliography Index.
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