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Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the…mehr

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Produktbeschreibung
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.

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Autorenporträt
Kirk Freudenburg is Professor of Latin and Chair of the Department of the Classics at the University of Illinois. His previous publications include The Walking Muse: Horace and the Theory of Satire (Princeton University Press, 1993) and Satires of Rome: Threatening Poses from Lucilius to Juvenal (Cambridge University Press, 2001).
Rezensionen
'Satire, perhaps more than any other genre, needs these companions, as it is a long, winding, branching road that sometimes blurs into obscurity. ... the writings pull no punches, are often in the vernacular, and are direct in speech like satire itself. ... this volume proves to be a worthy companion. Each author hands the traveller on to the next author, never isolating the reader but always providing connections by which to find a way back and to make the current scenery familiar.' Bryn Mawr Classical Review