Cambridge Companion to the Circus (eBook, PDF)

Redaktion: Arrighi, Gillian

• Format: PDF

Produktbeschreibung

The Cambridge Companion to the Circus provides a complete guide for students, scholars, teachers, researchers, and practitioners who are seeking perspectives on the foundations and evolution of the modern circus, the contemporary extent of circus studies, and the specialised literature available to support further enquiries. The volume brings together an international group of established and emerging scholars working across the multi-disciplinary domain of circus studies to present a clear overview of the specialised histories, aesthetics and distinctive performances of the modern circus. In sixteen commissioned essays, it covers the origins in commercial equestrian performance during the late-eighteenth century to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 1. Juli 2021
• Englisch
• ISBN-13: 9781108620611
• Artikelnr.: 66179137

Inhaltsangabe

Introduction. The circus: reflecting and mediating the world Gillian
Arrighi and Jim Davis; Part I. Trans-national Geographies of the Modern
Circus: 1. The origins and growth of the modern circus Matthew Wittmann; 2.
Reconstruction, railroads, and race: the American circus in the gilded age
and progressive era Sakina Hughes; 3. Circus, colonialism and empire: the
circus in Australasia and Asia Gillian Arrighi; 4. The criollo circus
(circus theatre) in Argentina: the emergence of a unique circus form in
connection with the consolidation of the Argentine nation state Julieta
Infantino; 5. The past and present of Czech circus Hanu Jordan and
Veronika tefanová; 6. Catching on: Chinese acrobatics from China to the
west in the twenty-first century Rosemary Farrell; Part II. Circus Acts and
Aesthetics: 7. The equestrian circus Kim Baston; 8. Animals, circus and war
re-enactment: military action to colonial wars Peta Tait; 9. Circus clowns
Louise Peacock; 10. Aerial performance: aerial aesthetics Kate Holmes; Part
III. Circus: A Constantly Evolving Form: 11. Circus and somatic
spectacularity on stage in the variety era Catherine M. Young; 12. Becoming
an art form: from 'Nouveau Cirque' to contemporary circus in Europe Agathe
Dumont; 13. Risky play and the global rise in youth circus Alisan Funk; 14.
Social circus: the rise of an 'inclusive' movement for collective
creativity Jennifer Beth Spiegel; Part IV. Circus Studies Scholarship: 15.
Methodologies in circus scholarship Charles R. Batson and Karen Fricker;
16. Through the looking glass: multi-disciplinary perspectives in circus
Anna-Sophie Jürgens.