Cambridge History of Fifteenth-Century Music (eBook, ePUB)

Redaktion: Berger, Anna Maria Busse

• Format: ePub

Produktbeschreibung

Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 16. Juli 2015
• Englisch
• ISBN-13: 9781316287637
• Artikelnr.: 52970438

Inhaltsangabe

Introduction Anna Maria Busse Berger and Jesse Rodin; Part I.
Historiography: (a) Listening: 1. Hearing Josquin hearing Busnoys Michael
Long; 2. Religion and the senses in fifteenth-century Europe Klaus
Pietschmann; (b) Terms and Concepts: 3. The work concept Laurenz Lütteken;
4. The L'homme armé tradition - and the limits of musical borrowing Jesse
Rodin; (c) Composer Studies: 5. Guillaume Du Fay: evidence and
interpretation Alejandro Enrique Planchart; 6. Jean d'Ockeghem Lawrence F.
Bernstein; 7. Josquin and epistemology Jesse Rodin; Part II. Improvisation
and Composition: 8. Oral composition in fifteenth-century music Anna Maria
Busse Berger; 9. Improvisation as concept and musical practice in the
fifteenth century Philippe Canguilhem; 10. How did Oswald von Wolkenstein
make his contrafacta? Anna Maria Busse Berger; 11. Making a motet:
Josquin's Ave Maria...virgo serena John Milsom; 12. The origins of
pervasive imitation Julie E. Cumming and Peter Schubert; Part III.
Humanism: 13. Humanism and music in Italy James Hankins; 14.
Fifteenth-century humanism and music outside Italy Reinhard Strohm; 15.
Poetic humanism and music in the fifteenth century Leofranc
Holford-Strevens; 16. Canterino and Improvvisatore: oral poetry and
performance Blake Wilson; 17. Liturgical Humanism: saints' offices from the
Italian peninsula in the fifteenth century Alison K. Frazier; Part IV.
Music and Other Arts: 18. Architecture and music in fifteenth-century Italy
Deborah Howard; 19. Music and feasts in the fifteenth century Anthony M.
Cummings; 20. French lyrics and songs for the New Year, c.1380-1420 Yolanda
Plumley; Part V. Music in Churches, Courts, and Cities: 21. Musical
institutions in the fifteenth century and their political contexts Klaus
Pietschmann; 22. Music and musicians at the Burgundian court in the
fifteenth century David Fiala; 23. The papal chapel in the late fifteenth
century Richard Sherr; 24. The beneficial system and fifteenth-century
polyphony Pamela F. Starr; 25. Professional women singers in the fifteenth
century: a tale of two Annas Bonnie J. Blackburn; 26. Savonarola and the
boys of Florence: songs and politics Patrick Macey; Part VI. Religious
Devotion and Liturgy: 27. Music and ritual M. Jennifer Bloxam; 28. Marian
devotion in the fifteenth century David J. Rothenberg; 29. Affective
literature and sacred themes in fifteenth-century music Anne Walters
Robertson; Part VII. Theory and Practice: 30. Measuring measurable music in
the fifteenth century Anne Stone; 31. The transformative impulse Emily
Zazulia; 32. Transformations in music theory and music treatises Evan A.
MacCarthy; Part VIII. Sources: 33. Polyphonic sources, c.1400-50 Margaret
Bent; 34. Polyphonic sources, c.1450-1500 Thomas Schmidt-Beste; Part IX.
Genres: 35. The polyphonic mass in the fifteenth century Andrew Kirkman;
36. The fifteenth-century motet Laurenz Lütteken; 37. Fifteenth-century
song Nicole Schwindt; 38. Instrumental music in the fifteenth century Keith
Polk; 39. Sacred song in the fifteenth century: cantio, carol, lauda,
Kirchenlied Reinhard Strohm; 40. Plainsong in the age of polyphony Richard
Sherr; Part X. Reception: 41. The most popular songs of the fifteenth
century David Fallows; 42. The nineteenth-century reception of
fifteenth-century sacred music Andrew Kirkman; 43. The modern reception of
the music of Jean d'Ockeghem Lawrence F. Bernstein; 44. Recordings of
fifteenth-century music Honey Meconi; 45. Solidarity with the
long-departed: fifteenth-century echoes in twentieth-century music Richard
Taruskin.