Cambridge History of World Music (eBook, ePUB)

Redaktion: Bohlman, Philip V.

• Format: ePub

Produktbeschreibung

Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments - in Europe, Oceania, China, India, the Muslim world, North and South America - in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 12. Dezember 2013
• Englisch
• ISBN-13: 9781316023891
• Artikelnr.: 52993840

Inhaltsangabe

Introduction: world music's histories Philip V. Bohlman; Part I. Histories
of World Music: 1. On world music as a concept in the history of music
scholarship Bruno Nettl; 2. Music cultures of mechanical reproduction Peter
Manuel; 3. Western music as world music Nicholas Cook; Part II. The History
of Music before History: 4. Foundations of musical knowledge in the Muslim
world Stephen Blum; 5. Indian music history in the context of global
encounters Bonnie C. Wade; 6. Native American ways of (music) history
Beverley Diamond; Part III. Music Histories of Global Encounter and
Exchange: 7. Encounter music in Oceania: cross-cultural musical exchange in
eighteenth- and early nineteenth-century voyage accounts Vanessa Agnew; 8.
Music, history, and the sacred in South Asia Jaime Jones; 9. Music, minas,
and the golden Atlantic Suzel A. Reily; Part IV. The Enlightenment and
World Music's Historical Turn: 10. Johann Gottfried Herder and the global
moment of world-music history Philip V. Bohlman; 11. Tartini the Indian:
perspectives on world music in the Enlightenment Sebastian Klotz; 12. The
music of non-western nations and the evolution of British ethnomusicology
Bennett Zon; Part V. Music Histories of the Folk and the Nation: 13. Korean
music before and after the West Keith Howard; 14. Folk music in Eastern
Europe Timothy J. Cooley; 15. A story with(out) gauchos: folk music in the
building of the Argentine nation Bernardo Illari; Part VI. Asian Music
Histories: 16. Four recurring themes in histories of Chinese music Jonathan
P. J. Stock; 17. On the history of the musical arts in South East Asia
Margaret Kartomi; 18. Musicians and the politics of dignity in South India
Kaley Mason; Part VII. Institutions and Politics of Representation: 19.
Images of sound: Erich M. von Hornbostel and the Berlin phonogram archive
Lars-Christian Koch; 20. Music in the mirror of multiple nationalisms:
sound archives and ideology in Israel and Palestine Ruth F. Davis; 21.
Repatriation as reanimation through reciprocity Aaron A. Fox; Part VIII.
The Globalization of World Music in History: 22. Landscapes of diaspora
Timothy Rommen; 23. Sufism and the globalization of sacred music Regula
Burckhardt Qureshi; 24. Global exoticism and modernity W. Anthony Sheppard;
Part IX. Musical Discourses of Modernity: 25. Encountering African music in
history and modernity Gregory Barz; 26. The politics of music
categorization in Portugal Salwa El-Shawan Castelo-Branco; 27. The world
according to the Roma Michael Beckerman; Part X. Musical Ontologies of
Globalization: 28. Disseminating world music Travis A. Jackson; 29. Musical
antinomies of race and empire Wayne Marshall and Ronald Radano; 30.
Globalized new capitalism and the commodification of taste Timothy D.
Taylor; Part XI. Beyond World-Music History: 31. The time of music and the
time of history Martin Clayton; 32. The ethics of ethnomusicology in a
cosmopolitan age Kay Kaufman Shelemay; 33. Towards a new world? The
vicissitudes of American popular music Richard Middleton; Afterword: a
worldly musicology? Martin Stokes.