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“Captain Brassbound's Conversion” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. The play explores the relationship between the law, justice, revenge and forgiveness. Sir Howard Hallam, a judge, and his sister-in-law, Lady Cicely Waynflete, a well-known explorer, are at the home of Rankin, a Presbyterian minister. Sir Howard tells Rankin that his brother's property was illicitly seized after his death by his widow's family, but Sir Howard has now recovered it. Lady Cicely…mehr
“Captain Brassbound's Conversion” is a play by George Bernard Shaw, an Irish playwright who became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
The play explores the relationship between the law, justice, revenge and forgiveness. Sir Howard Hallam, a judge, and his sister-in-law, Lady Cicely Waynflete, a well-known explorer, are at the home of Rankin, a Presbyterian minister. Sir Howard tells Rankin that his brother's property was illicitly seized after his death by his widow's family, but Sir Howard has now recovered it. Lady Cicely decides to explore Morocco with Sir Howard. They are advised to take an armed escort.
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871. Shaw would also have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and its film version. Shaw mentioned that the character of Professor Henry Higgins was inspired by several British professors of phonetics: Alexander Melville Bell, Alexander J. Ellis, Tito Pagliardini, but above all, the cantankerous Henry Sweet.
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