Carmen Abroad (eBook, PDF)
Bizet''s Opera on the Global Stage
Redaktion: Smith, Richard Langham; Rowden, Clair
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Carmen Abroad (eBook, PDF)
Bizet''s Opera on the Global Stage
Redaktion: Smith, Richard Langham; Rowden, Clair
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A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet''s Carmen from 1875 to 1945.
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A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet''s Carmen from 1875 to 1945.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Erscheinungstermin: 30. Juli 2020
- Englisch
- ISBN-13: 9781108643344
- Artikelnr.: 70910772
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
- Verlag: Cambridge University Press
- Erscheinungstermin: 30. Juli 2020
- Englisch
- ISBN-13: 9781108643344
- Artikelnr.: 70910772
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
List of figures; List of tables; List of contributors; Foreword and
acknowledgements; Part I. Establishment in Paris and the repertoire: 1.
Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2.
Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces
Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's
1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen
at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a
repertory opera in Italy and in Italian Matthew Franke; Part II. Across
frontiers: 7. A new performance for a new world: Carmen in America Kristen
M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in
transition Charlotte Bentley; 9. The return of the habanera: Carmen's early
reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and
Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal
and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12.
Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic
Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14.
Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen
in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen
in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen;
Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from
Imperial import to ideological benchmark Michelle Assay; 18. The other
reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi
Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the
Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at
home: between Andalusia and the Basque Provinces (1845-1936) Lola San
Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique'
spectacle Sabine Teulon Lardic; Selected Bibliography.
acknowledgements; Part I. Establishment in Paris and the repertoire: 1.
Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2.
Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces
Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's
1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen
at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a
repertory opera in Italy and in Italian Matthew Franke; Part II. Across
frontiers: 7. A new performance for a new world: Carmen in America Kristen
M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in
transition Charlotte Bentley; 9. The return of the habanera: Carmen's early
reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and
Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal
and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12.
Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic
Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14.
Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen
in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen
in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen;
Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from
Imperial import to ideological benchmark Michelle Assay; 18. The other
reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi
Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the
Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at
home: between Andalusia and the Basque Provinces (1845-1936) Lola San
Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique'
spectacle Sabine Teulon Lardic; Selected Bibliography.
List of figures; List of tables; List of contributors; Foreword and
acknowledgements; Part I. Establishment in Paris and the repertoire: 1.
Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2.
Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces
Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's
1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen
at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a
repertory opera in Italy and in Italian Matthew Franke; Part II. Across
frontiers: 7. A new performance for a new world: Carmen in America Kristen
M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in
transition Charlotte Bentley; 9. The return of the habanera: Carmen's early
reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and
Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal
and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12.
Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic
Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14.
Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen
in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen
in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen;
Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from
Imperial import to ideological benchmark Michelle Assay; 18. The other
reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi
Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the
Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at
home: between Andalusia and the Basque Provinces (1845-1936) Lola San
Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique'
spectacle Sabine Teulon Lardic; Selected Bibliography.
acknowledgements; Part I. Establishment in Paris and the repertoire: 1.
Carmen at home and abroad Clair Rowden and Richard Langham Smith; 2.
Carmen's second chance: revival in Vienna Laura Moeckli; 3. Carmen faces
Paris and the provinces Clair Rowden; 4. Carmen dusted down: Albert Carré's
1898 revival at the Opéra-Comique Michela Niccolai; 5. Refashioning Carmen
at the Théâtre de La Monnaie, 1902 Bruno Forment; 6. How Carmen became a
repertory opera in Italy and in Italian Matthew Franke; Part II. Across
frontiers: 7. A new performance for a new world: Carmen in America Kristen
M. Turner; 8. The unstoppable march of time: Carmen, and New Orleans in
transition Charlotte Bentley; 9. The return of the habanera: Carmen's early
reception in Latin America José Manuel Izquierdo, Jaime Cortés-Polanía and
Juan Francisco Sans; 10. From Spain to Lusophone lands: Carmen in Portugal
and Brazil David Cranmer; 11. Carmen in the antipodes Kerry Murphy; 12.
Carmen, as seen and heard in Victorian Britain Paul Rodmell; 13. Celtic
Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar; 14.
Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal; 15. Carmen
in Poland prior to 1918 Renata Suchowiejko; 16. A woman or a demon: Carmen
in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen;
Part III. Localising Carmen: 17. Russian Carmens and 'Carmenism': from
Imperial import to ideological benchmark Michelle Assay; 18. The other
reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi
Matsumoto; 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the
Belle Époque Michael Christoforidis and Elizabeth Kertesz; 20. Carmen at
home: between Andalusia and the Basque Provinces (1845-1936) Lola San
Martín Arbide; 21. Carmen in the midi amphitheatres: a 'tauro-comique'
spectacle Sabine Teulon Lardic; Selected Bibliography.