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To this hour the image of Carmilla returns to my memory with ambiguous alternationssometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church. Sometimes, I start from a reverie, certain I heard the light step of Carmilla at the drawing-room door. Isolated in a remote mansion in a central European forest, Laura longs for companionshipuntil a carriage accident brings another young woman into her life: the secretive and sometimes erratic Carmilla. As Carmilla's actions become more puzzling and volatile, Laura develops bizarre symptoms, and as her…mehr
To this hour the image of Carmilla returns to my memory with ambiguous alternationssometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church. Sometimes, I start from a reverie, certain I heard the light step of Carmilla at the drawing-room door.
Isolated in a remote mansion in a central European forest, Laura longs for companionshipuntil a carriage accident brings another young woman into her life: the secretive and sometimes erratic Carmilla. As Carmilla's actions become more puzzling and volatile, Laura develops bizarre symptoms, and as her health goes into decline, Laura and her father discover something monstrous.
Joseph Sheridan Le Fanu's compelling tale of a young woman's seduction by a female vampire was a source of influence for Bram Stoker's Dracula, which it predates by over a quarter century. Carmilla was originally serialized from 1871 to 1872 and went on to inspire adaptations in film, opera, and beyond, including the cult classic web series by the same name.
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Autorenporträt
Carmen Maria Machado is the author of the bestselling memoir In the Dream House, the graphic novel The Low, Low Woods, and the award-winning short story collection Her Body and Other Parties. She has been a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Lambda Literary Award for LGBTQ Nonfiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."
Her essays, fiction, poetry, and criticism have appeared in the New Yorker, the New York Times, Granta, Vogue, This American Life, Harper's Bazaar, Tin House, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers' Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, The Pew Center for Arts & Heritage, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the former Abrams Artist-in-Residence at the University of Pennsylvania.
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