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"The making of this book was prompted by the fact that with the season 1907-08 the Metropolitan Opera House in New York completed an existence of twenty-five years. Through all this period at public representations I have occupied stall D-15 on the ground floor as reviewer of musical affairs for The New York Tribune newspaper. I have, therefore, been a witness of the vicissitudes through which the institution has passed in a quarter-century, and a chronicler of all significant musical things which were done within its walls. I have seen the failure of the artistic policy to promote which the…mehr

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Produktbeschreibung
"The making of this book was prompted by the fact that with the season 1907-08 the Metropolitan Opera House in New York completed an existence of twenty-five years. Through all this period at public representations I have occupied stall D-15 on the ground floor as reviewer of musical affairs for The New York Tribune newspaper. I have, therefore, been a witness of the vicissitudes through which the institution has passed in a quarter-century, and a chronicler of all significant musical things which were done within its walls. I have seen the failure of the artistic policy to promote which the magnificent theater was built; the revolution accomplished by the stockholders under the leadership of Leopold Damrosch; the progress of a German régime, which did much to develop tastes and create ideals which, till its coming, were little-known quantities in American art and life; the overthrow of that régime in obedience to the command of fashion; the subsequent dawn and development of the liberal and comprehensive policy which marked the climax of the career of Maurice Grau as an operatic director, I have witnessed since then, many of the fruits of wise endeavor and astute management frittered away by managerial incapacity and greed, and fad and fashion come to rule again, where for a brief, but eventful period, serious artistic interest and endeavor had been dominant."


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Autorenporträt
Henry Edward Krehbiel (1854-1923) was an influential American music critic and author, particularly admired for his scholarly approach to music journalism. Born in Ann Arbor, Michigan, Krehbiel's deep-seated passion for music was evident from a young age, despite his initial pursuit of a career in law. He soon switched his focus to music and became a renowned critic and writer. His contributions to the field of music criticism were especially impactful during his tenure at The New York Tribune, where his reports were lauded for their insightful analyses and keen understanding of both music and the cultural milieu in which it evolved. Krehbiel was known for his erudition and the eloquence of his writing style. His expertise was not limited to the affairs of music criticism; he was also a noted musicologist and historian of music. In his book 'Chapters of Opera' (1908), Krehbiel offers a rich exploration into the development and substance of opera as an art form, illustrating his encyclopedic knowledge and deep reverence for the genre. His literary contributions provided readers with a profound understanding of operatic compositions and historic performances. More than just reviews, Krehbiel's writings sought to contextualize music within broader artistic and social narratives, thus extending the reach of his influence to both connoisseurs and the general public alike. His legacy endures through his written works, which continue to engage and inform music scholars and enthusiasts to this day.