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The first time that we met Baudelaire was towards the middle of the year 1849, at the Hôtel Pimodan, where we occupied, near Fernand Boissard, a strange apartment which communicated with his by a private staircase hidden in the thickness of the wall, and which was haunted by the spirits of beautiful women loved long since by Lauzun. The superb Maryx was to be found there who, in her youth, had posed for "La Mignon" of Scheffer, and later, for "La Gloire distribuant des couronnes" of Paul Delaroche; and that other beauty, then in all her splendour, from whom Clesinger modelled "La Femme au…mehr

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Produktbeschreibung
The first time that we met Baudelaire was towards the middle of the year 1849, at the Hôtel Pimodan, where we occupied, near Fernand Boissard, a strange apartment which communicated with his by a private staircase hidden in the thickness of the wall, and which was haunted by the spirits of beautiful women loved long since by Lauzun. The superb Maryx was to be found there who, in her youth, had posed for "La Mignon" of Scheffer, and later, for "La Gloire distribuant des couronnes" of Paul Delaroche; and that other beauty, then in all her splendour, from whom Clesinger modelled "La Femme au serpent," that statue where grief resembles a paroxysm of pleasure, and which throbs with an intensity of life that the chisel has never before attained and which can never be surpassed. Charles Baudelaire was then an almost unknown genius, preparing himself in the shadow for the light to come, with that tenacity of purpose which, in him, doubled inspiration; but his name was already becoming known amongst poets and artists, who heard it with a quivering of expectation, the younger generation almost venerating him. In the mysterious upper chamber where the reputations of the future are in the making he passed as the strongest. We had often heard him spoken of, but none of his works were known to us.

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Autorenporträt
Théophile Gautier (1811-1872) was a preeminent French poet, novelist, and critic renowned for his devotion to Art for Art's Sake. Embracing Romanticism, his body of work reverberates with a desire for the exotic and seeks beauty in its purest form. Gautier's literary output is versatile, stretching across various genres, including theatre criticism, poetry, novels, and short stories. Among his most notable works are 'Mademoiselle de Maupin,' a bold novel that explores androgyny and the aesthetics of sexuality, and 'Émaux et Camées,' a poetry collection that has been instrumental in the Parnassian movement. His lyrical prose is marked by vivid descriptions and a deep appreciation of the visual arts, which is reflected in his meticulously detailed narratives. Although 'Charles Baudelaire, His Life' is often attributed to Gautier, there is some ambiguity about this title because his most recognized tribute to the famed poet is in fact the preface to the 1868 edition of Baudelaire's 'Les Fleurs du mal,' wherein Gautier honors his friend and fellow artist after his death in 1867. Through his writing, Gautier has significantly influenced the Symbolists and modernist poets, becoming a staple figure in 19th-century French literature. His relentless advocacy for the autonomy of art has made his work a cornerstone of aesthetic criticism.