Leo Tolstoy began his trilogy, Childhood, Boyhood, Youth, in his early twenties. Although he would in his old age famously dismiss it as an 'awkward mixture of fact and fiction', generations of readers have not agreed, finding the novel to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and colour. Evident too in its brilliant account of a young person's emerging awareness of the world and of his place within it are many of the stances, techniques and themes that would come to full flower in the immortal War and Peace and Anna Karenina, and in the other great works of Tolstoy's maturity.
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Tolstoy's first published work, Childhood, is unquestionably one of his most engaging and profound narratives, and he followed it in short order with the other two parts of the trilogy. We have several competent English translations, but none of them comes close to matching Judson Rosengrant's in capturing the young writer's astonishing precision, stylistic variety, and range of moods [...] The introduction breaks new critical ground in presenting Tolstoy's language and thought. The deft, unpretentious annotations are the most thorough in any English-language edition. I cannot think of a better place to start for new readers of Tolstoy, or a more insightful, enjoyable refresher for experienced Tolstoyans William Mills Todd III, Harvard University