56,95 €
56,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
28 °P sammeln
56,95 €
56,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
28 °P sammeln
Als Download kaufen
56,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
28 °P sammeln
Jetzt verschenken
56,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
28 °P sammeln
  • Format: ePub

With an interdisciplinary, comparative examination of stars and stardom in Chinese cinema from the silent period to the current era of globalization, this volume offers exemplary readings of the historically, geographically and aesthetically multifaceted star phenomena in China.

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 3.84MB
Produktbeschreibung
With an interdisciplinary, comparative examination of stars and stardom in Chinese cinema from the silent period to the current era of globalization, this volume offers exemplary readings of the historically, geographically and aesthetically multifaceted star phenomena in China.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Mary Farquhar is a Professor at Griffith University, Australia. She studied at Beijing University and specializes in China studies. Her Children's Literature in China: From Lu Xun to Mao Zedong (M.E. Sharpe, 1999) won an International Children's Literature Association Award for the most distinguished, scholarly book. She is the co-author with Chris Berry of China Onscreen: Cinema and Nation (Columbia, 2006). Yingjin Zhang is Director of Chinese Studies Program and Professor of Comparative Literature and Film Studies at University of California, San Diego, US. Among his eight English books are Encyclopedia of Chinese Film (Routledge, 1998), Cinema and Urban Culture in Shanghai, 1922-1943 (Stanford, 1999), Screening China (Michigan, 2002), Chinese National Cinema (Routledge, 2004), From Underground to Independent (Rowman & Littlefield, 2006), and Cinema, Space, and Polylocality in a Globalizing China (Hawaii, 2009).