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Mei Sun, National Central University
Guo Chao offers an engaging and original contribution to the study of the male dan, tracing this prominent but often misunderstood figure from its late imperial heyday to the twenty-first century. Nimbly navigating between sociocultural history, theatre and performance studies, and gender studies, Chinese Traditional Theatre and Male Dan courageously complicates received narratives, whether unsympathetic or celebratory.
Josh Stenberg, The University of Sydney