Andere Kunden interessierten sich auch für
![Was ist europäischer Film? Wie europäisch sind die in Europa produzierten Filme wirklich? (eBook, PDF)]( "Was ist europäischer Film? Wie europäisch sind die in Europa produzierten Filme wirklich? (eBook, PDF)")
Was ist europäischer Film? Wie europäisch sind die in Europa produzierten Filme wirklich? (eBook, PDF)13,99 €![Peeping Tom interpretiert mit der Filmtheorie von Laura Mulvey (eBook, PDF)]( "Peeping Tom interpretiert mit der Filmtheorie von Laura Mulvey (eBook, PDF)")
Peeping Tom interpretiert mit der Filmtheorie von Laura Mulvey (eBook, PDF)2,99 €![Verführer, Führer und Verführter. István Szabós Film]( "Verführer, Führer und Verführter. István Szabós Film")
Verführer, Führer und Verführter. István Szabós Film "Hanussen" (eBook, PDF)13,99 €![Playing with the Gaze in Hitchcock. The Experience of Visual Pleasure in]( "Playing with the Gaze in Hitchcock. The Experience of Visual Pleasure in")
Playing with the Gaze in Hitchcock. The Experience of Visual Pleasure in "Rear Window", "Vertigo" and "Psycho" (eBook, PDF)18,99 €![Ethnicity-related weblogs. The interplay of the virtual and the real in ethnic identity management in America (eBook, PDF)]( "Ethnicity-related weblogs. The interplay of the virtual and the real in ethnic identity management in America (eBook, PDF)")
Ethnicity-related weblogs. The interplay of the virtual and the real in ethnic identity management in America (eBook, PDF)5,99 €![Vision and Blindness in Film (eBook, PDF)]( "Vision and Blindness in Film (eBook, PDF)")
Vision and Blindness in Film (eBook, PDF)18,99 €![Passing and Posing between Black and White (eBook, PDF)]( "Passing and Posing between Black and White (eBook, PDF)")
Passing and Posing between Black and White (eBook, PDF)0,00 €
Essay aus dem Jahr 2006 im Fachbereich Medien / Kommunikation - Film und Fernsehen, , Sprache: Deutsch, Abstract: Chocolat’s main plot unfolds around the memories of the French girl France in 1950s pre-independence Cameroon. The story appears in a flashback and is framed by a contemporary story of the adult France coming back to her roots. By challenging stereotypical Hollywood cinematography filmmaker Claire Denis also challenges the way colonialism is commonly explained. Denis does not take sides in her negotiation of race and gender relations in colonial times but rather observes these relations in her film through the eyes of the little girl France and the black servant Protée. This essay will examine some of the major issues, aspects and motifs treated and discussed in the film and their complementary cinematographic implementation. I will give special attention to issues of gazes, music/audio and metaphoric narration.