Christ-Hero of the Monomyths (eBook, ePUB)

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The four Gospels are Faith Documents of the Christian Church. That is something everybody acknowledges. As such, do they owe any debt at all to the pre-Christian heathens? The answers are not as confident. What sort of a debt is it? How much of it is at the core of the Gospels? The answers to these are up to the speculators to tease out. That is until now. Christ-Hero of the Monomyths establishes the presence of Egyptian, Babylonian and Phoenician mysteries and magic in the Old and the New Testaments. It shows how entrenched they are in the Catholic Christian Deposit of Faith and the liturgical rituals, particularly in the seven Sacraments. Christ-Hero of the Monomyths is principally about the presence of the monomyths in their dual or threefold presence in their entirety in the Gospels. Mark, the Evangelist, began the practice of constructing the Public Life and Passion Narratives of Christ as monomyths in the background text. Matthew and Luke continued the practice and extended it to their Infancy Narratives. They also completed Mark's initiative in accordance with the full range of conventions of the genre. John did not use the monomyth for his Gospel. Instead, he created a unique Christ-Ontology with an equally original Inverted Lexical Metaphor to dramatise the Word who was in the beginning, who was distinct from God and who was God and in time became human. Christ-Hero of the Monomyths demonstrates that the Evangelists wrote more than their Gospels in the foreground. In the background texts, they had four classical histories and still farther, three of them had monomyths. Such complexity only adds uncertainty about the definitive authorial intents for the Gospels. The Roman Irony of Quintilian helped to resolve the doubts. It was the intention in the most hidden of the texts that was the preferred one. That being the case, the Evangelists were bypassing their Gospels in favour of the monomyths. They preferred Jesus not as the Christ or the Son of God or God, but as the hero of the monomyths. Thereby, they endorsed their Christ-Hero as fictional and the stories about him as fictitious.

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I had been a secondary school teacher until my retirement in 2000. While planning for life after the gruelling work, I undertook a Masters course in Theology at the Australian Catholic University, Melbourne, Australia. Graduation in M.Theol. coincided with the beginning of retirement. A course research paper on the Herod Narrative in the Jewish War by Josephus dramatically turned my life around. I'll explain how.

While close reading the Herod Narrative, with my previous acquaintance with Roman literature, I discovered that Josephus had carefully incorporated all the literary conventions of a five-Act tragedy in Seneca's Hercules Furens. That gained for me a high distinction and an invitation to research into the whole of the Jewish War for a Ph.D. That was the year 2000.

I began carefully reading the Jewish War as a history and where it fitted in the spectrum of classical histories. I found that Josephus fell closer to Herodotus than to Thucydides. I also noticed that the Senecan tragedy conventions were also present in the Jewish War side by side with the history. That indeed was an extension of the paper on the Herod Narrative.

The evidence of two texts in one work by Josephus was my discovery. I named it 'Genres Disjunction'. The term explained that it was an example of Quintilian's structual irony. It also clarified that Josephus hid his deep hatred of the Flavian Romans, his benefactors, and secretly asserted his loyalty to the Jewish nation. He made the Flavians the heroes of the history and villains of the tragedy as he changed the Jewish nation from villains of the history into hero-victims of the tragedy.

This is where my life began to change. I was baptized a Roman Catholic and lived a devout life of a Catholic until my reserch began. My curiosity took me from Josephus to the four Evangelists. I found to my utter disbelief that they too had 'Genres Disjunction' in their Gospels. All the Evangelists had the Gospel as the foreground text, but added other texts in the background. Mark had the classical history modeled on Livy's History of Rome. Matthew took Dionysius of Halicarnassus for his. Luke chose the Jewish War of Josephus for his background text and John had Herodotus for his second text.

The more I studied the Gospels the more shocks were in store for me. I found that Mark had a second background text of monomyths in the public life and the passion of Christ. Matthew had the same includ...